So you want to be a model?

Your ultimate guide to embracing the model in you

By Surina Mehroke 

Countless aspire to become models, holding onto the cherished dream, yet what's the key to truly flourishing in this industry? Drawing from my experience as a talent agent at ICON Models, a premier agency in Toronto, I've crafted four simple steps to guide you on your journey. 

Understanding the industry in Canada

Zia Syed via Unsplash

If your goal is to be on the covers of major fashion magazines in the likes of Vogue and Harper’s Bazaar, then you have to first consider your current environment. Toronto is unfortunately not a major fashion city, and thus Canada does not necessarily have the climate to present you with the same fashion opportunities you would get in cities like New York or Paris. 

Canada’s most lucrative modelling opportunities are based around commercials. However, if you’re set on fashion — do not be disheartened! Agencies will often place their models overseas for periods of time ranging from a  couple months to a year to provide them with the most opportunities in fashion. Not only does this mean you get to travel to build your model portfolio, but it also means you don’t miss out on any of the fashion week action internationally! 

Understanding where you fit in the industry 

Radeon Prasetya via Unsplash

Understanding where you fit in the industry is just as important as grasping the mechanics of the industry itself. Unlike popular beliefs, you do not have to be extremely tall or slim to be accepted in the modelling industry. While there are height and measurement requirements to work in fashion, The industry is gradually becoming more inclusive. More and more you see high fashion brands searching for plus size models. Similarly, commercial modelling welcomes a diverse array of people of all shapes and sizes! 

Although modelling is commonly linked with fashion, commercial assignments can prove to be more financially rewarding, with clients often showing greater appreciation for their models. 

Building a portfolio 

Ailbhe Flynn via Unsplash

Building your portfolio is a crucial process as a model and is something you can do even on a budget! It is important to remember that being a model isn’t just about looking pretty but how you react in front of a camera. Modelling is a talent that takes practice and dedication to perfect. Using your knowledge of where you fit in the industry will help guide how your portfolio should look. There are two ways to gain this expertise and curate a professional portfolio. 

The first is trade for prints (TFP), which refers to unpaid shoots where models lend their skills to a photographer in exchange for the pictures afterward. It is a win-win for the photographer and model, allowing both parties to gain applied experiences and build their portfolio. TFP’s can be easily secured through reaching out to photographers on Instagram or checking out institutions with photography programs where students are likely to work with you on a TFP.

The second option available is paid shoots. There are plenty of photographers in the city who will charge a set fee for a shoot with them. In these paid shoots, you can ask to be photographed in multiple outfits and  they oftentimes will edit the pictures after for you as well. This can be a great alternative if you want more creative direction and freedom in the photoshoot.

Start looking for agencies 

Christin Hume via Unsplash

Once you have a solid portfolio built up, you can start applying to modelling agencies in your respected city. An agency will help you book jobs and further mould your portfolio to the best of its potential. They have the ability to place you overseas as they see fit and represent you for future opportunities. Agencies will also  give you advice about the industry and be honest with you on where your career is likely to thrive. 

It is worth noting that whilst agencies will try their hardest to book you jobs, it is entirely up to the client on whether you get selected. This means that even with an agency jobs are never guaranteed, something representative of the industry at large. 

Being a model can be a fulfilling and fun career but like most creative industries, it is competitive and requires a lot of dedication. Building a tough skin and being willing to consistently work on your portfolio is necessary to ensure a successful career in the modelling industry. Most importantly, having fun and enjoying your work reflects positively on camera. 

Love-filled Fashion – A Valentine’s Day Lookbook

Get your Valentine’s Day fix post-love-day.

By Julia Lawrence

Valentine's Day is when lovey-dovey eyes exchange between partners and friends—it's also when you can show off the pink, red and overall fashion-forward pieces you have in your closet.

CanCulture’s 2024 Valentine’s Day lookbook showcases different fashion styles encapsulating the love holiday’s aesthetic. Scroll down to fill your heart with love, joy and fashion inspiration.

Mikayla Trainor (@meekeela_) pairs a bright pink skirt with a pale pink sweatshirt. (Julia Lawrence/CanCulture)

On a red background, in the middle two people hold each other while facing the camera. On the left side is a man wearing a suit and a white outlined bubble layered on top of his photo is a closeup of his rings and blue tie.

Parker Theis (R) (@_jurassicparker_) and Michael Karant (L) (@michaelkarant) dress to impress for their dinner date. (Julia Lawrence/CanCulture)

On a pink background, a photo is outlined in white with four red hearts on the corners. It is a closeup of the side of a person showing their pink heart-shaped earmuffs, red and black skirt, black shirt and brown coat.

Minori Peters (@minori.peters) wears thrifted heart-shaped earmuffs alongside a simple red and black outfit. (Julia Lawrence/CanCulture)

On a solid red background, three photos are outline in white, two are duplicates of a person's nails over their pink sweatshirt and the middle photo is their full of the pink graphic sweatshirt and black pants.

Lama Alshami (@lama.alshxmi) dons a full pink look with nails to match. (Julia Lawrence/CanCulture)

On a solid pink background is a photo of a person wearing black pants and layered a black corset over a red long sleeve. There is a photo outlined in red next to the other one that has a closeup of their outfit and nails.

Debeshi (@_debeshi_228) (Julia Lawrence/CanCulture)

On a solid red background, a person is doubled to show on one side the bottom of their outfit and the other is their top. In three bubbles outlined in pink are closeups of their corset, pink shoes and heart eye makeup.

Yllana Williams (@yllanawilliams) layers white on white for a textured look paired with heart-eyed makeup and pink heels. (Julia Lawrence/CanCulture)

Solid pink background with for red hearts surround a photo of a person wearing a black coat, red sweater with a heart vest layered over top and purple pants.

Rachel (@booperdontcrossthelinedooper) layers a heart-filled vest over a red sweater. (Julia Lawrence/CanCulture)

Two photos are in front of pink and white borders and a solid red background. One photo shows off pink painted nails and jewellery, the other photo shows a full outfit with brown pants, light pink sweater and a cream cardigan.

Daniella Lopez (@lopez_daniella_) contrasts dark brown pants with a light pink sweater and cream cardigan. Julia Lawrence/CanCulture)

On a solid pink background, a photo shows a woman holding a rose while posing to show off her jeans, white long sleeve and draped bright pink sweater. There are mixed lights in the background of white and red.

Prescela Jeeves (@prescelaaa) matches her pink rose with a bright pink sweater draped over a white long sleeve. (Julia Lawrence/CanCulture)

What did you wear this past Valentine’s Day? Email (cancultureinfo@gmail.com) a photo of your outfit for a chance to be featured on @canculturemag’s Instagram.

8 handmade jewelry businesses to look out for

From beaded to fabric, here’s where to get the best handcrafted accessories in Canada

By Lynette George

From beaded earrings to jade rings, small businesses all across Canada are creating stunning handmade jewellery (Lynette George/CanCulture)

Ivy and Lua

Ivy and Lua is a Toronto-based handmade jewelry business that specializes in polymer clay earrings as well as stunning pearl and chain creations. Shefali Kalra started crafting these mini masterpieces as an outlet for her creativity in 2020. It’s only been a couple of years since she decided to start selling her creations, and her work is only getting better! A youth worker by day, you can find Kalra online or at various local markets, selling her pieces and spreading joy with her art!

JShine Design

A tribute to the land and all of its many offerings, JShine Design focuses on using natural elements to create wearable art. The small business focuses on jewelry made from home-tanned hides, vintage beads, shells, porcupine quills and more. Owned by Cree artist, Jessica Sanderson Barry, the company is located in Edmonton and ships all across Canada and internationally. Head to their website to learn more!

Velanidi

Toronto-based artist Dina Baxevanakis has cracked the code on fun statement earrings at her small business, Velanidi. Specializing in hyperrealistic food earrings (yes, food earrings), the shop is most popular for its “produce bag” collection. Using recyclable mesh bags to create miniature accessory versions of it, Baxevanakis handcrafts polymer clay food items to put into it, giving customers a perfect “fresh from the farmers market” look. It’s playful and more importantly, a great conversation starter! 

This Ilk

Founded by Tamara Bavdek in 2008, This Ilk is a Montreal-based business pushing the definition of what jewelry can truly be. Unlike most jewelry brands, This Ilk chooses to use vintage fabrics to create wearable art, giving a second life to materials that would have otherwise been discarded. Promoting sustainable fashion without compromising on quality or style, Bavdek’s vision is profound. If you’re searching for an eco-friendly alternative to fast fashion accessories, take a look at This Ilk’s website!

Haley Made

If you’re searching for a bright pop of colour to liven up your look, Haley Made is the right fit for you! With designs featuring iridescent pearls, pretty charms, beads and gold accents, the small business’ jewelry has a soft, delicate and hyper-feminine look. The owner, Haley Crespo, discovered jewelry making when she was hospitalized due to Lupus. Now, she has turned her passion into a business, creating everything from hair clips to phone charms, with the hope of spreading joy. Find Crespo on Instagram to learn more.

Bead n Butter

Bead n Butter is a growing small business based in Winnipeg that specializes in beaded earrings and necklaces, intricately made for everyone. Metis artist, Jessie Pruden, founded the company a few years ago after being enraptured by the art form. This year, if you’re looking to support a queer, disabled, Indigenous entrepreneur, or if you’re just looking for some mind-blowing beaded jewelry, check out Bead n Butter!

Running Fox Beads

Skye Paul’s Running Fox Beads is a force to be reckoned with in the world of handmade jewelry. A member of the English River First Nation, Paul works with traditional jewelry-making techniques, while still allowing room for innovation and modernization. The result — a set of perfectly beaded Cheeto earrings and a detailed blueberry bolo tie. Based in Toronto, check out Paul’s work online or at Kensington Market’s Wildflower Goods.

Jade House

Having been in the field for three generations, Jade House sells beautiful jade jewelry on their online shop and via social media. Made with Grade A Burmese jade, the Toronto-based small business sells everything from earrings to necklaces, carving each piece with precision. If you’re looking for some stunning jewelry that’s going to get you the best compliments, check out Jade House on Instagram.

House of Dwir: A celebration of inclusivity, individualism and creativity

A genderless fashion line based in Toronto fuses the traditional divide between men and womenswear into garments inclusive to all. 

By Neda Madany

Leading Toronto designer, Dan Dwir creates genderless collections for his fashion brand. House of Dwir (Neda Madany/CanCulture, photos courtesy of Dan Dwir)

Dan Dwir combines avant-garde artistry with transformative tailoring to create his versatile and genderless collections. 

The Swiss designer behind House of Dwir says the brand is meant to celebrate inclusivity, individualism and creativity. “The idea behind it is really so everybody can express themselves with fashion, and to style them in different ways to create a new look,” says Dwir. “Hence the creativity behind it.”

Growing up in Switzerland, Dwir studied fashion design at Haute École d’Art et Design in Geneva, where he also spent time learning French-style tailoring from Genevan tailors. Dwir left Switzerland soon after that to Chicago, where he did lots of tailoring and constructed garments for people, typically for events. “I used to do a lot of wedding gowns, custom-made garments, cocktail dresses and all that stuff.” Dwir spent two and a half years in the U.S. before coming to Toronto in 2019 and launching House of Dwir, his first ready-to-wear collection. 

“It came from the fact that I was unable to find clothing that I like and enjoy,” says Dwir. The flowy and interesting fabrics that intrigued him were typically categorized as womenswear and only created to fit the traditional female body type.

Dwir began making garments for himself to expand a wardrobe better curated for him. “I started making myself pieces with silk and very flowy fabrics for shirts because I love them.” After the designs he created for himself received admiration, desire and love from others, Dwir decided to share his genderless fashion through his ready-to-wear line House of Dwir. In addition to his line, Dwir teaches and mentors aspiring designers and students in fashion. 

Upon introduction, Dwir says many people confuse genderless with unisex. “For me, unisex really means that there are only two sexes,” says Dwir. “Genderless really embraces the whole spectrum of it. Genderless fashion means that anybody can wear it.”

Constructing garments that can fit everybody poses an immediate challenge when it comes to genderless clothing, an obstacle that Dwir loves. While baggy clothing might be the first thing that comes to mind when thinking of garments that can be worn by anyone, Dwir has a different approach. His experience in very precise French-style tailoring is what he uses to make his garments completely genderless. “ “I did a lot of tailoring in Geneva. I really try to find that fine line in between, in my tailoring,” says Dwir. He innovatively constructs his pieces to be versatile and completely wearable by their owner, whoever it is. He adds pockets while omitting the zipper in the crotch area of all his bottom designs, to ensure an accommodating fit for anyone. ”Women have the right to have pockets,” says Dwir, discussing the common lack of pockets in women's pants and bottoms.

All House of Dwir garments are separated into two sizes, XXS-S and M-XXL, with versatility kept in mind. “It’s really trying to have one piece that can be worn in as many sizes as possible.”

Fabric for draping, buttons, and different clips are considerations Dwir makes when creating his collections. He encourages his consumers to adjust and creatively drape his garments, allowing for individualized versions of each piece.

Dwir embraces the creativity of each of his consumers, building a connection from designer to customer. “I love people literally taking my pieces and doing something wild with them,” says Dwir. Working with stylists for photoshoots and witnessing a look come to life with his designs is a reminder to Dwir. “It really means to me that I achieved what I wanted.”For Dwir, it is about the person taking the piece and working with it, doing whatever they want with it. 

All House of Dwir garments are produced in Canada, with an effort made to support local seamstresses and fabric distributors when possible. “If I have contractors, they’re all local,” Dwir says. Although most likely produced somewhere else in the world, the fabrics used in garment production come from showrooms in Canada. “It promotes the local economy here.” Dwir says by using  Tencel, a branded lyocell sourced from wood and created using environmentally cautious processes, the fabrics and materials used in House of Dwir production are sustainable and eco-friendly as well. 

The warm and welcoming aura of the Toronto fashion industry has been ideal for  Dwir. “It’s a community, we work together,” says Dwir. In contrast, New York City, North America’s fashion capital, isn't appealing to the designer after five years in the Canadian city. “You’re just a drop of water in the ocean over there. While here you can actually be heard and make a statement,” says Dwir. “I love to be able to grow the Canadian market, the Toronto market in particular, and just be a part of it.”

Although the line does have a website, Dwir appreciates the times he can connect with his customers, hence most of House of Dwir’s sales are in person. “When I do shows or pop-ups and things like that, I really get to talk to people, that’s where the connection is really made.”

Dwir says he is disappointed at the lack of genderless representation in general fashion.  He recalls that all the efforts made by several fashion houses to be more inclusive have been erased. “I had a little bit of a sad moment when I saw all the Fashion Week’s this year, for these big brands, genderless fashion was only a trend to make money,” he says. 

This motivates Dwir to put in more work to represent all-inclusive and genderless fashion. “It makes me want to be even more on the scene, to do even more and to not let that go.”

Satin, Cut-Outs and Bumsters: An Interview with the Designer Who Set FAT on Fire

Kendrick Tran’s runway debut is a celebration of authenticity, inclusivity and compassion 

By Harrison Clarke

A man in smiling and waving as he walks down the runway

“My brand is about compassion and subverting the snobby, harsh attitude people associate with fashion,” said designer Kendrick Tran, “I do fashion ‘cause I love it.”

I came to Fashion Art Toronto (FAT) to speak with Kendrick Tran but most of what I did that day was take orders. When I went backstage that night, I stepped into a dream wrapped in white silk and pinstripe-printed cotton fabrics, safety-pinned together by Tran’s focus. A storm burned around him, assistants asked for guidance, and showrunners asked for updates, yet Tran held his ground within its center; stone-faced as he adjusted the backing of a model’s dress. Lightning struck when his first words to me were, “ Do you want to help?”I could feel the electricity in those words reverberating around the room, signalling that something magical was about to happen.

The name and concept for the beauty that ensued is “Who Am I Really?,” a collection of 16 looks ranging from silk dresses with risqué cut-outs and cropped businesswear to a series of hoodies stacked on top of each other. Despite the clothes being named after such an internal question, there was a deep sense of community surrounding me. Tran told me that his community informed the sense of self behind this collection.

“Ultimately, one day, my friend Majestic was like, ‘I see you, I see all the work you’re doing but who are you though? I don’t feel you.’” Tran said. “That spiralled into a collection. It’s years of work and self-exploration coming into one final moment. Going through years of dissatisfaction really shifted a self-realization as to who I am as a person and what I have to add to people’s lives.”

As for his team and some of the models? They were all handpicked from Tran's life — people who helped him get to where he is today.

“The collection featured my chosen family,” Tran said. “These are the people and moments that have changed my life in the past years, this is really a celebration of my life and what it’s been in 24 years.”

During Tran’s childhood, his mother was the one who first taught him to celebrate his identity through fashion. Despite coming from a lower-income household, Tran said she strove for her children to feel like they were a part of a larger community. Dressing them in big-label brands helped him to understand the power of presentation and the ways it can foster or hinder inclusivity.

“Even though we were lower-class immigrants, she was very serious about wearing GAP, Gymboree and matching sets,” Tran said. “Without even realizing it, she started an attention to detail within me.”

This detail is most apparent in the way “KENDRICK TRAN” labels are sewn on the outside of the clothing. Written in blaring white, bold Arial font, the name stands proud against a backdrop of solid black cotton. For Western European brands, logomania means exclusivity. For example, Alessandro Michele's Gucci made it a class-defining symbol by studding the printed ‘G's with Swarovski crystals on the garments. Tran’s label is instead in a format that anyone can relate to.

“My brand is about compassion and subverting the snobby, harsh attitude people associate with fashion,” Tran said. “I do fashion ‘cause I love it.”

A person wearing a black t-shirt that reads “KENDRICKTRAN FAMILY”

From Kendrick Tran’s debut solo and show-closing collection exploring the Vietnamese-Canadian designer’s coming out journey (Kinza Zafar/CanCulture)

The road to creating something genuine doesn’t come without obstacles. The start of his fashion journey was filled with challenging turns as a salesperson and visual supervisor at various stores. Although sales was never at the heart of his ambitions, being able to touch and breathe the essence of the clothing was enough for a while. Through studying the pieces he was selling, he taught himself to design clothing. He applied these skills as a design intern at a sought-after Toronto luxury design label but after he was let go, he felt his fashion dreams come to a halt.

“I felt like I had just started my career and then when it was gone. It felt like an illusion,” he said.

This crushing feeling is instrumental in Tran’s conceptualizing process. In his own words, his art is about personifying dreams and trauma, and no subject is too sensitive to incorporate. Take the stacked hoodie for example; the fabric is double-lined and dense like a blanket, paired with a heavy zipper that stretches its shape the more it’s worn. This look was inspired by the feeling of languishing in bed all day during a peak of depression.

“As someone that struggles with depression and ADHD, there’s a lot of pressure,” Tran said. “So for me when I think about what it’s like to have a mental health issue, I think about your brain being smushed, your brain being stepped on. How can I physically manifest fabric twisting on the body to represent that tension?”

A man in an all black outfit walks down the runway

(Photo courtesy of @cosplay / Fashion Art Toronto)

For Tran, dreams seem to prevail over trauma. He has already started production for his next collection. This one will feature a lighter, cropped version of the hoodie perfect for summertime partying.

Tran sows his life intricately into the designs, some of which are lifted directly from specific experiences he’s had. Look two of his runway show was a white satin dress that drapes seamlessly over the body like fog rolling through a forest. A high collar stretches the fabric across the shoulders, encasing the chest in shining, silver armour. A golden seashell overflowing with pearls hangs from a chain on the backside, a centrepiece within the draping, deep ‘V’ that reaches the bum.

“My friend asked me to design their cousin’s prom dress. Right after she said that, I sketched out this dress,” Tran said. “Then this opportunity came and I figured I'll make it in white and make it a wedding dress.”

A person looks backward in the backless dress on the runway

(Photo courtesy of @cosplay / Fashion Art Toronto)

While spending his whole life conceptualizing this collection, it took him over a year to put the work together. Every piece was made locally at a women-owned factory where he spent the majority of his days and nights. In a time where the creativity of the fashion industry is overshadowed by economic pursuit (think: Balenciaga x Erewhon, creative directors playing musical chairs), Tran’s focus on using his whole life as inspiration is indicative of designers trying to slow the industry down. 

I used to value fashion for the ways it created gated communities; in search of a place to belong, I figured that I feel safest behind the castle walls of cultural currency. I would spend hours looming over my laptop screen, downloading information on ways I could be one of the elites despite feeling like an outsider. On the contrary, my time spent with Tran made me feel special in my body and mind without having to change anything about myself. His clothes, his work ethic and the community he builds, which I am proud to be a part of, teach that the most luxurious gift you can own is self-love. Just like his clothes, this gift fits all colours, all sizes and all classes.

Stay cool to stay warm: An accessory guide for this winter

Prioritizing warmth doesn’t mean you have to sacrifice style, here are a few additions to add to your wardrobe in the colder months

By Surina Mehroke

With temperatures dropping, it becomes increasingly harder to look stylish in the colder months. Warmth becomes a priority as you find yourself putting on layer upon layer and your sense of style is shoved aside. Luckily, there are plenty of ways to accessorize to keep your outfits looking cool whilst still staying warm.

The winter months are hard to navigate but accessories are your best friend. Accessorizing is the perfect medium to add your own flare to an otherwise simple outfit, elevating an outfit from being worn to being styled.

Knitwear

Knitwear is a staple in every season. This gender-inclusive accessory allows a variety of textures, rich patterns and colours, ensuring you can find a piece that matches your own aesthetic. When looking for Knitwear pieces, consider coordinating with other garments and layering to achieve an elevated look.

Whilst knitwear is effective, the choices can be overwhelming. When sourcing a good quality knit, you should start by reviewing the material composition and checking that the knitwear has a high yarn content. For example, if the material description of a jumper is only 41 per cent wool then it is best to avoid it. Products that are made with 90 to 100 per cent yarn will not only look better but guarantee longevity.

Statement Belts

As seen by the strong presence in 23 F/W fashion weeks, statement belts are in revival. Whilst they might not provide extra warmth, they are a quick and simple way to elevate your winter outfits.

Belts can be used to aid any aesthetic. From silky satin and delicate chain belts to larger industrial pieces, adding a piece like thatbelt might be the cherry on top that gives your winter outfit the perfect final touch.

Beyond adding a point of interest to an outfit, a belt can also be used to alter the silhouette of a look. Using a belt to cinch in the waistline can bring back form to a bulky winter outfit and ensure that the proportions are tailored to your liking

Balaclavas

Circling back to knitwear, balaclavas specifically are the ‘it girl’ of accessories this season. Originating from the Crimea region in Europe, these headscarves have become a winter wardrobe staple for many. The balaclava is a practical winter add-on ensuring you stay as warm as possible while looking as current and fashionable as winter permits.

Think of balaclavas as an extension to the classic sweater and cable knits. Use them to form a matching set with your other knitwear to show off a complimentary look that echoes your personal style.

If you are not convinced, perhaps it’s because you have yet to find the right style. Look around this season, as the market is flooded with balaclavas of different knits, textures and patterns and you are guaranteed to find one to your liking.

Leg Warmers

Lastly, leg warmers are the ultimate addition to your winter wardrobe. The rise of the ballet aesthetic reintroduced leg warmers back into the fashion sphere this past year, but as they gained popularity, leg warmers have become a fashion phenomenon of their own.

With these accessories you are guaranteed to add interest to your winter looks and elevate outfits from last season. Use the accessories combined or individually to appear current and fashionable this Canadian winter.

Are the 2010s back already? CanCulture’s 2024 fashion trend predictions

Fashion trends might be seeing a blast to the past, but we’ve also got some new style predictions for the new year: 

By Lauren Watson

Celebrities like Rihanna, Olivia Wilde and Blake Lively showcase 2010s fashion trends like chevron print, rose choker necklaces and infinity scarfs. The background of the collage showcases a demon print and a light pink background.

The 2010s comeback is on the way. Images sourced from Getty Images/Pexels, and the collage was made with Photoshop. ( Lauren Waston/CanCulture)

If the past few years of fashion have taught us anything, it's that the trend cycle is inevitably repetitive. For many of us, the late 90s/early 2000s fashion will always have a special place in our hearts, but the cyclical nature of fashion means the slow decline of the 90s and Y2K  influence and the resurgence of their hipster-inspired other half– the 2010s. 

We’ve already begun seeing skinny jeans making their way back into our favourite influencer’s wardrobes, we can’t help but wonder what else from this somewhat forgettable era will return. Would it be over-the-top statement necklaces or business-forward outfits worn at the club? Only time will tell…

Below is a list composed of the potential new trends coming in the new year based on looks showcased at the 2023 F/W Fashion Art Toronto and other current favourites from local influencers. If you feel so inclined, you can add them to your wardrobe, too.

Statement Jewelry

Lizzi.jpg, spennyroad, SUBURBAN DEVIANT

Models showcasing Suburban Deviant designs on the red carpet.

Suburban Deviant models posing for the red carpet (via Instagram @suburbandeviant)

In the coming year, less is no longer more. Chunky silver hoops, intricate gemstone rings, and gorgeous cotton rosette chokers are going to be the must-haves for spring of 2024. Exemplified by Toronto clothing brand Suburban Deviant’s most recent collection. Designer Danny Welsh showcased one eye-catching piece after another at Fashion Art Toronto F/W 23, but the statement necklace in look 06 “Alter Ego” is a personal favorite and a tasteful ode to the 2010s favourite accessory.  

Layers, Layers, Layers

Tops over bottoms 

Model wearing a white blouse with a purple textured tie. On the bottom the model wears a layered skirt with two belts

One of Macel's looks for Fashion Art Toronto Fall/Winter 2023 collection (Monserrat Quintana/CanCulture)

If the statement choker necklace was not enough to convince you the 2010s are making its comeback, may I introduce you to skirts over pants. Layering three tank tops over a long sleeve might not have been your cup of tea back in the days, but this trend of layered bottoms seems to be everyone's new obsession. This new spin on a timeless trend of layering offers everyone a chance to revamp their wardrobe without having to spend money on new garments. Thrift a lace skirt from your go-to spot and throw it over your favourite pair of baggy jeans to create a new look that melds the line of androgyny and fashion norms. 

Patterns On Patterns 

House of Hendo 

Model wearing a sparkly silver dress along with a silver wig on the runway

House of Hendo look for Fall/Winter 2023 Fashion Art Toronto collection (Monserrat Quintana/CanCulture)

Speaking of challenging fashion norms, 2024 will be the year of experimenting with patterns and textures that would normally never exist simultaneously. The passing of the beloved Vivienne Westwood at the end of 2022 seemed to reignite the masses’ flaming love for modern punk fashion. Toronto-based influencer Rebecca-Jo Dunham-Baruchel is the perfect example of how to wear this eclectic style. She can often be seen paying tribute to the VW brand in her own styling of  the classic tartine skirt.. In the new year, prepare to mix your plaids and lean into the rebel persona.

Demin To Die For

LACEL

A model wearing a denim outfit walks the runway

Fashion Art Toronto model showcases Lacel. (Reema Najjar/CanCulture)

Switching gears to something more timeless — the denim uniform.  Denim on denim is not a new concept but local designer LACEL is putting their own spin on this beloved combination by introducing custom jackets with striking prints and metal hardware. If you’re looking for other ways to spice up your denim this upcoming season consider investing in a more non-traditional wash or throwing a little 70s spin into your jeans with bold prints and dramatic boot-cut silhouettes . 

Step up your shoe game

One of the major fashion faux pas is to not pair open toe shoes with hosiery. Many fashion innovators had been challenging this rule circa early 2010s, and this combination has come even more to the foreground with Miu Miu inspired looks. We can expect to see pointed slingback kitten heels with  funky-coloured tights to take over this holiday season and persist well into the new year. 

More Business, Less Casual 

Miuccia Prada’s decision to reintroduce menswear back into the Miu Miu spring 2023 collection was one that came with controversy and excitement. The new collection showcased more androgynous looks which have translated into the brand gaining an entirely new cult following. Their signature “preppy academia” look is filling the explore pages of all social media platforms. Adding a classic cool grey cardigan and a pair of sheer knee high socks to your wardrobe is sure to keep you looking up to date.

Lots of leather

Leather, spice and everything nice — a staple outerwear that is not only practical for colder climates but also the perfect way to add an edge to your wardrobe or elevate a basic outfit. With love for this fabric more rampant than ever, fashion houses like Diesel and more local brands like Fugnitto have played their hand perfectly with honing in on leather products. Whether it's investing in a classic leather coat or new pair of cowboy boots, this is definitely a trend to look out for in 2024. 

Bows, pink and coquette core!

Kerotix

A model in a pink and grey outfit walks down the runway amidst rows of attendees 

Kerotix showcases a out of this world collection for the first time FAT FW 2023 (Kinza Zafar/CanCulture)

Last on the list has to be my personal favourite. The coquette core in general has risen in  popularity over the last few months but I predict it will truly hit its climax next spring. This is by far the easiest trend to participate in for the new year as ribbons are such a simple accessory that elevates and adds a touch of femininity to any outfit. I would strongly suggest checking out Kerotix’s new collection shown at FAT F/W 2023 for some inspo. I’m calling it now though, pink bows will definitely be the symbol for 2024 fashion. 

As we enter 2024, I highly recommend spending some time looking into the upcoming trends and be sure to make it your own by adding your personal flair. Voila! There couldn’t be a more perfect motivation for the new year!

2023 fashion unveiled: exploring the trends

From Blokette to Barbie-Core, take a look at this year’s fashion resonance of styles and subcultures 

By Teresa Valenton

A collage of different clothing and aesthetic styles

 2023 ends with various aesthetics taking over social media platforms and our wardrobes. (Teresa Valenton/CanCulture)

In the vast fashion landscape of 2023, social media and pop culture fueled a range of aesthetics, styles and trends. This unique blend showcases global influences and homegrown creativity. This year witnessed the rapid rise and fall of micro and macro aesthetics in the likes of “blokette,” “gorp core,” and “coquette.” Join CanCulture as we review this year’s most notable trends where style met culture.

Blokette

@beckykim_ thank u @wavykaren for the inspo!! 🫶 #blokettestyle ♬ like and follow - sm.

We’ve all seen the Blokette aesthetic take over fashion TikTok for some time now. Whether it was through your favourite celebrities or the influencer-sponsored brand, this aesthetic has surfaced the internet by storm. The term “Blokette” was first coined by the podcast Nymphet Alumni, to describe the pairing of sportswear with the detailing of hyper-feminine pieces.

This aesthetic channels your typical 90s casual look with the bow craze of 2023. Think football jerseys, baggy jeans, and Adidas Sambas paired with dainty skirts, bows and silver jewelry. Despite its inherent gender-based juxtaposition, this trend is not limited by the gender binary. This aesthetic has been adopted and executed by many — join in by taking your stereotypical sporty pieces and styling them into your own wardrobe! 

Gorp-Core

Noted by a variety of TikTokers as 2023’s most functional aesthetic, ‘Gorp-Core’ transforms practical, outdoorsy pieces and styles them into editorial fashion. With the term initially created by writer and editor Jason Chen to describe “defiantly ugly” outdoor fashion, “Gorp-Core” has now taken over the functional fashion world. Key pieces include hiking boots, cargo pants, windbreaker jackets and a warm hat, with minimal accessories to elevate the look.

While this trend continues on the rise, many Canadian brands stand at the forefront of the “Gorp-Core” aesthetic such as Canada Goose, Arc’teryx and Rudsak. According to Vogue, this trend focuses on “sporty, utilitarian pieces that are made for embracing the outdoors.” Whether these styles are toned down for a street style look, or used in functionality, this style is reflective of an interest boost for outdoor activities post-pandemic. 

Coquette 

Not to be confused with “ballet-core” or the “clean girl” aesthetic, the ‘coquette’ trend is a compilation of all things “frilly and lacy.”. Characterized by lace, flushed blush and dainty hair accessories, this look embraces femininity at its core. You’ll often see people wearing pieces in a coherent colour palette comprised of pinks and whites. Ideally, the Coquette” closet staples are hair bows, lace dresses, ear muffs and shrug cardigans. 

This aesthetic moves past fashion and into the aesthetic lifestyles of those who engage with the movement. With over 1.3 billion views on TikTok, the visual aesthetics of the “Coquette” movement position it as a “soft lifestyle” based on dance and rehearsal apparel. Despite the influence of Japanese Lolita subcultures and Rococo-era fashion, the “Coquette” look now refers to the light-hearted girly style.

Recession-Core

In a world where many have become keen to over-consumption habits, the term “recession-core” reflects the minimal nature of a post-COVID-19 world. Moving forward from the Y2K maximalism present in recent decades, natural tones have become popular with the younger generation. With beige and neutral colour palettes and simplistic fashion trends rising through social media, this aesthetic directly reflects a downturned economy. 

An extreme sense of “gloominess” has been added to recent runway exhibits and red carpets as accessories and over-the-top styles have been pushed back. This androgynous aesthetic is experimental and rule-breaking with closet basics. Subversive basics and silver jewelry can be classified within this aesthetic. This style encourages individuals to style what they have and stay conscious about their consumer habits during a recession. 

Barbie-Core

@erin22xoxo When I say I’m OBSESSED with the second dress 🥹💗 @prettylittlething crushed it as usual 🥹 which was your fav?! #prettylittlething #pinkdress #pinkdressgirl #pinkdressoutfit #barbieoutfits #barbieoutfit #barbiedress #torontoinfluencer #torontocreator ♬ Barbie Girl - Lady Aqua

Alongside the highly anticipated Barbie film earlier this year, the vibrant, pink “Barbie-core aesthetic defines 2023. Although hot pinks and vibrancy are no new aesthetic, much of the newly gained hype can be credited to the film. Since the Barbie movie became one of the highest-grossing movies of this year, pink products have been making an appearance everywhere. From platform pumps, purses, and over-the-top accessories, this pinky aesthetic was a summer staple.

The entirety of this aesthetic can be encapsulated by the colour pink by itself. Whether it's an intense hue of hot pink or a pastel shade of baby pink, this aesthetic embraces the plastic doll’s signature looks through everyday looks. According to People Magazine, the “silhouettes range from latex mini dresses to dainty fit-and-flares.” Barbie-core” can be adapted to all body types. Whether you are curvy, petite, short, tall or everything in between, embrace the Barbie lifestyle by taking on this aesthetic. !

While trends come and go, these five aesthetics defined 2023 in an abundance of ways. From pop culture references to an economic downturn, much can be taken from the popular fashion trends of this year. As subcultures and the defiance of conventions arise, let this past year be an introduction to the world of fashion trends. You may even be able to incorporate aspects of each trend into your wardrobe — nonetheless, let’s see what trends lie ahead in the new year.

Beauty trends we loved this year – A CanCulture 2023 round-up

Five looks which took over this year’s red carpets, Instagram feeds and morning routines.

By Alina Jaffer

A shopping cart full of makeup products like blush, lipstick and nail polish. 

 (Suzy Hazelwood/Pexels)

CanCulture is looking back at the hair and makeup styles which complimented – and perhaps completed – 2023’s fashion landscape. Here are five of our favourites:

Balletcore 

This ballet spin on classic glam wants us to embrace soft pastels and delicate frills. To bring out your inner ballerina, apply a touch of liquid highlighter before foundation. Then, elevate this lit-from-within-look with pale, shimmery eyeshadow and baby pink blush. And don’t forget the style’s staple: a well-lined muted lip. 

Balletcore exists beyond the makeup world as well. According to Elle Canada, it manifests in hairdos as buns – sleek, twisted, loose, braided and everything in between. Whichever version the bun takes on, bows are a welcome addition. 

Strawberry Makeup

Ontario-based Cheekbone Beauty says strawberry makeup is their favourite trend of the year. 

The aesthetic which ruled during this summer is all about pops of pink. Start by swiping a generous amount of berry-hued blush over a dewy base, focusing on your cheeks and eyelids. Pair this rosy glow with a glossy lip and, if you want to really commit, some faux freckles. 

To get the look, Cheekbone Beauty recommends their cedar brown empower eyeliner, power brow gel, askihk sustain lipstick and sweetgrass harmony lipgloss.

Scandi Hairline

Lightening face-framing baby hairs will make your complexion seem brighter while giving an effortless aire to blonde blowouts. This hair hack’s funky name is an homage to the sun-kissed highlights of Scandinavian influencers like Matilda Djerf

Marie-Anne Labrie, a beautician from Montreal, teaches her Instagram followers how to tweak this brightening effect for a soft grow-out using foils and balayage. Her method may suit darker blondes who want to test the trend but worry about maintenance

Cold Girl Makeup

As temperatures drop, cold girl makeup was revived and updated for 2023. 

Inspired by the frostbitten flush brought on by winter weather, this look requires a cool-toned blush on the apples of your cheeks and the tip of your nose. You can add dimension to the look with a frosted eyeshadow, an icy highlighter and a gradient lip. 

Check out how Toronto-based makeup artist Valeriia Shyshkanova adopts the aesthetic in her promotional video for Gee Beauty

Latte Makeup

Coffee-coloured browns are the stars of 2023’s favourite Fall makeup fad. 

Opt for this monochromatic look by bronzing up your skin, wearing a nude lip and playing up neutral eyeshadows. For inspiration, check out the video tutorial above from Toronto’s Nudestix

As we move into the new year, beauty lovers will wait and see whether these five trends stand the test of time. 

Toronto’s Ultimate Sneaker Show embraces the city’s sneaker culture

The local event brings together attendees sole-ly through their love for sneakers  

By Nageen Riaz

Toronto's annual Ultimate Sneaker Show, hosted by Solo Exchange Canada, was held on Nov. 11, 2023. (Nageen Riaz/CanCulture)

Toronto's annual Ultimate Sneaker Show, hosted by Solo Exchange Canada, was the place to be for all the ‘sneakerheads’. This year, the show was held on Nov. 11 at the Sheraton Centre and featured dozens of vendors selling and trading every sneaker imaginable

From old-school kicks to the latest runway pair, this show catered to every style possible and the vendors were happy to embrace the sneaker community’s needs.

“Whether you’re new to the game or a long-time collector, there is always something for everyone at these shows,” said vendor O’Shea Stewart. “I feel like everyone is into sneakers right now and you can really see how much the community has grown these last few years.”

Sneaker culture has been on the rise recently and has no plans on stopping anytime soon. In fact, sneaker shows have become so popular, many “sneakerheads” — an endearing term for sneaker lovers, fly in from all over to attend these events. Adam Edmunds, a vendor and long-time sneaker collector travelled from Ottawa to Toronto especially for the show. “I have always been into sneakers since I was a kid and now I’ve managed to turn it into a full-time business. It’s been great being able to come out to these shows and share my love for sneakers with all these other collectors,” Edmunds said.

Many of the attendees were seen leaving with carts full of sneakers. According to vendor Joel Evangelista, a big part of sneaker culture is making it accessible for everyone. “There has been so much involvement in the sneaker world and I think, with the rise of Panda Dunks and Filas, people began to realize how diverse and accessible sneakers are,” he said.

Whether you’re styling a casual outfit or rocking suits and formal wear, sneakers have become a statement piece that works with every look. “I think sneakers were the first introduction to the world of what streetwear fashion can be,” Evangelista said. “There is just something about this subculture that brings the artistic and creative side of each person out and I think people are really starting to embrace that.”

Events like The Ultimate Sneaker Show bring together the sneaker community and allow for a space where sneakerheads can share their passion while also seeking out the best deals. For most vendors, these shows are a highly anticipated occurrence that they look forward to every year. “This is my 20th show or so,” Stewart said. “I always love coming out here and meeting different people and hearing how they got involved with the sneaker world. It’s always such an amazing experience and I would always tell people that shows like these are the place to be.”

Six slow fashion brands worth exploring

These eco-friendly stores make sustainable shopping simple.

By Alina Jaffer

A mobile phone featuring three green arrows sits atop a mesh shopping bag.

Consumers want fashion-forward and environmentally-friendly pieces (ready made via Pexels)

Fast fashion is destroying our planet and our wallets. Luckily, there are a plethora of local companies committed to creating beautiful clothes without also creating excessive waste. 

Here is an introduction to six Canadian fashion brands committed to the slow fashion movement. 

Israella Kobla

Toronto’s Israella Kobla wants to redefine minimalism through structure and bold femininity. 

The label prides itself on using efficient pattern designs and cutting techniques to minimize their manufacturing’s environmental impact. They also offer functional, aesthetically pleasing packaging which can be easily reusable. 

“Design decisions based on sustainable principles are more than using sustainable materials,” says the brand’s website. “One of the best ways we can help the Israella Kobla woman make ethical and sustainable fashion choices is by offering collections that are well thought out and timeless.”

Connally Goods

Vancouver-based Connally Goods takes pride in its dedication to eco-friendliness. 

“Sustainability means meeting our own needs as a business without compromising the ability of future generations to meet their own needs,” says the brand’s website.  

The company’s gender and size inclusive products are made for durability with natural textiles. All scraps, even loose threads, are saved while creating the comfortably chic goods. These threads are used to repair or refill sleeping bags which are then distributed to people experiencing homelessness in Vancouver’s Downtown Eastside. 

Ang Hill 

Edmonton’s Ang Hill is transparent about the production of their versatile, feminine basics and accessories. Their website says all original pieces are handcrafted in small batches. Many of these items are made to order and always shipped with minimal packaging. 

This slow fashion approach to manufacturing eliminates unnecessary overproduction of clothing which, according to Greenpeace, is a leading cause of climate change and plastic production. 

“Fashion should be about creativity and style, practicality and durability,” says the campaigning organization. “But fast fashion companies have made it all about newness.”

Arraei 

Arraei creates timeless bohême collections for conscious consumers. The company, created in Vancouver, strives to reduce its environmental impact by using natural fabrics and sustainable packaging. 

All purchases are delivered in compostable mailers and garment bags made from plant materials. Labels are printed on undyed natural cotton; and inserts are printed on recycled paper. 

The company’s founder, Natalie Florence, expresses her constant commitment to growth on the brand’s website

“We recognize that this is an evolving journey and that we will never ‘arrive,’ but rather always be looking for new ways to improve our approach to sustainability,” says Florence. 

Encircled 

Around a billion pounds of fabric items are sent to Canadian landfills each year, according to research from the University of Waterloo.

Encircled – a Toronto-based workleisure clothing brand – is committed to reducing their textile waste contribution. The company’s sewing studios upcycle scrap materials into accessories. They also sell imperfect garments at reduced prices in quarterly sample sales, instead of trashing the flawed pieces. 

Customers are encouraged to adopt this less-waste philosophy by buying and selling old purchases on the company’s resale platform, Renewed Threads. Listings are also promoted and posted on the Encircled Facebook group

Anne Mulaire

Anne Mulaire is an Indigenous-owned fashion brand operating out of Winnipeg. 

By offering return to nature programs, this company helps their customers buy better and buy less. 

Customers using the “Refresh Program” fill out a form and drop worn-out items in the mail. Anne Mulaire then mends the garments, effectively keeping clothes out of the landfill. These repairs are free within 90 days of purchase. 

The “Reloved Program” similarly embraces a regenerative lifestyle by encouraging shoppers to send used Anne Mulaire pieces back to the shop in exchange for store credit. Participants receive between C$5 –  $25 per item. Of course, these products must be free from rips, holes, stains and other damage. 

Since this company prioritizes using natural materials and upcycling wherever possible, they accept donated garments made from sustainable fabrics. This practice of giving natural textiles new life is Anne Mulaire’s “Revive Program.”

Next time you need a wardrobe update, consider opting for a few eco-friendly pieces. Shopping sustainably is a great way to look and feel good while reducing your fashion footprint.   

It’s a wrap! Closing day at Fashion Art Toronto 2023 #FashionArtToronto

Fashion week in Toronto comes to a fabulous end featuring local designers and TMU fashion students 

By Sena Law

models walking down the runway amidst rows of attendees

Kerotix’s shows their collection for the first time at FAT FW 2023 (Kinza Zafar/CanCulture)

This November weekend flew by as Toronto fashion enthusiasts gathered for the most anticipated bi-annual event of the year. The 2023 Fall/Winter season of Fashion Art Toronto took place at Black Creek Assembly from Nov. 16 - 19, featuring over 40 Canadian designers and their designs over the four days.

On Sunday the 19th, FAT wrapped up with 11 local designers showcasing their collection, and notably showcased an additional 18 Toronto Metropolitan University students and alumni designers in collaboration with the Fashion program at TMU's the Creative School — marking this collaboration a first of its kind in FAT history.

Each complex design and piece presented on the runways of the Sunday show reflects the unique artistry and identity of the designers. Whether it’s a tribute to classics, a hoorah to cultural heritage or just plain extravagance, this without doubt was another phenomenal Sunday to close out this season of Fashion Art Toronto.

A model wearing all pink walking down the runway amidst rows of attendees 

Ms Meri Mak showcases an all-pink collection FAT FW 2023 (leadrunway_@cosplay/CanCulture)

Ms Meri Mak

The Guelph-based boutique woke up attendees at the Sunday show with a pop of colour. Each model was seen in bright pink or orange cocktail dresses while rocking a slicked-back braid and sunglasses. Sequins and tulle are common themes amongst the dresses, perhaps a call out to the recent revival of Barbie. This collection was demanding attention with the articulated “baddies” aesthetic complimented on the runway by an energetic Pop Smoke track.

A model walks down the runway in a purple track set amidst rows of attendees

KDJM shows off designs of colourful at FAT FW 2023 (Kinza Zafar/CanCulture)

KDJM Studio 

Kareem Mitchell of KDJM Studio brought to FAT an intriguing collection that elevates day-to-day silhouettes.  Featuring mind-bending psychedelic-esque prints and silhouettes that are balanced between flowy and structured, this collection is the embodiment of wearable art.

A model in a green coat walks down the runway amidst rows of attendees 

Kollen Boutique showcases a collection of luxurious winter-wear at FAT FW 2023 (Kinza Zafar/CanCulture)

Kollen Boutique 

Kollen Boutique’s winter collection featured an array of ethically sourced coats and outerwear crafted from genuine leather, fur, and wool. An exclamation of elegance and class includes longer trench coat styles and more modern cropped silhouettes, with the consistent motif of fur hoods and cuffs.  

A model in a white flowy dress walks down the runway amidst rows of attendees 

RT showcases a collection centring on sustainability at FAT FW 2023 (Kinza Zafar/CanCulture)

RT

RT by Bangladeshi born eco-friendly artist, Refaya Turshin brought urgent issues of sustainability onto the runway at FAT. Slogans like “Love your planet, it chose you” were projected on the screen before a collection of “toxin free, organically dyed out of trash, eco-couture wear” was dawned. Models showcased the minimalistic and earth tones designs while they walked the runway in their barefoot and face paint, redirecting the emphasis on sustainability practices in the fashion industry 

TMU X FAT

This position of the show is a collaboration between TMU and FAT, comprising collections from 13 Bachelor of Design undergraduate students, three Master of Arts Fashion candidates and two alumni. This project aims to showcase Queer and Black, Indigenous and People of Colour (BIPOC) student work on the runway. Here are some of the highlights.

A model in a all white outfit walks down the runway amidst rows of attendees 

Curtis Matysek, a TMU Fashion grad showcases a collection that emphasizes corsetry at FAT FW 2023 (Kinza Zafar/CanCulture)

Curtis Matysek

A masterful manipulation of fabric, texture and hardware. Matysek brings back elements from his graduate collection "A Horrific Exploration of the Queer Sublime." Gracing the runway with his classic yet innovative designs that feature different variations of corsetry and draping.  

A model in a white shirt and denim skirt walks down the runway amidst rows of attendees 

Joyin Rey showcases complex designs that incorporate draping and denim fabric at FAT FW 2023 (Kinza Zafar/CanCulture)

Joyin Rey

Perhaps my favourite collection of the Sunday showcase at FAT, Joyin Rey brings to the runway a fabulous collection of intricate silhouettes. The use of backstitching and intentional asymmetry made the collection visually engaging. Reminiscent of Prada and Miu Miu, Joyin Rey’s navy and brown designs channel themes of the academia aesthetic with an ultra-playful twist. 

A model in a purple dress walks down the runway amidst rows of attendees 

Delfina Russo showcases her hyper-feminine designs at FAT FW 2023 (Kinza Zafar/CanCulture)

Delfina Russo

A collection of hyper-feminine designs, Delfina Russo showcased a reimagination of playing dress-up with dolls. Colourful and bold, and with an abundance of pearls, bows and girly elements, Russo’s collection is a figment of nostalgic girlhood.   

A model in a blue corset and stripe skirt walks down the runway amidst rows of attendees 

Camilla Leonelli Calzado showcases a collection celebrating her Cuban heritage at FAT FW 2023 (Kinza Zafar/CanCulture)

Camilla Leonelli Calzado 

An exploration into her Cuban heritage, Calzado brings us an interpretation of the Cuban Carnival. Whimsical but not lacking in class, this collection features contrasting colours and more use of corsetry. 

A model in a intricate dress and feathery head piece down the runway amidst rows of attendees 

SWZ Studio presents an intricate piece inspired by traditional Chinese culture at FAT FW 2023 (Kinza Zafar/CanCulture)

SWZ Studio

A tribute to the traditional Chinese dress, Maribelle Zhang and Emma Liu presented a grand installation on the runway that features an over-the-top extravagant headpiece. 

A topless model wearing a large head piece walks down the runway amidst rows of attendees 

Sebastian Blagdon displays a collection of headpieces FAT FW 2023 (Kinza Zafar/CanCulture)

Sebastian Blagdon

Sebastian Blagdon brings to the runway a collection of headpieces which can only be described as art installations. The effort put into these pieces to not only ensure its structural integrity but retain its intricate form must not be undermined. 

A model in white shirt and brown skirt walks down the runway amidst rows of attendees 

Solouk showcases a monochromatic collection at FAT FW 2023 (Kinza Zafar/CanCulture)

Solouk 

An almost entirely monochromatic collection by Solouk graced the runway. Those familiar with the brand will recognize its signature aesthetic of androgynous chic. Unconventional layering of black on black, pleated and textured fabric and mesh are a common motif throughout. Influence from brands like Rick Owens and Margiela are hard to ignore. Simple yet complex, Solouk’s collection was nothing less than captivating. 

A model wearing red and black walks down the runway amidst rows of attendees 

Brandon Kier showcases a his “afterlife” collection at FAT FW 2023 (Kinza Zafar/CanCulture)

Brandon Keir

Brandon Keir returns to the FAT runway, this time embracing the theme of “afterlife”. This edgy collection features the prominent colours of black and red. A clever incorporation of hardware like safety pins and grommets, encapsulated edge and streetwear. If there is couture in hell, this would be it. 

A model in a purple jacket walks down the runway amidst rows of attendees 

Purple Hearts Supply showcases a collection with their signature colour at FAT FW 2023 (Kinza Zafar/CanCulture)

Purple Heart Supply

Purple Heart Supply showcases a collection of versatile streetwear essentials, featuring its signature colour, purple. 

A model in a pink and grey outfit walks down the runway amidst rows of attendees 

Kerotix showcases a out of this world collection for the first time FAT FW 2023 (Kinza Zafar / CanCulture)

Kerotix

Kerotix makes its debut at FAT this year with an out-of-this-world collection that is anything but conventional. Futuristic designs feature corsetry, lots of paddings and imaginative silhouettes. Something you can take from Kerotix’s showcase is that conventional proportions are overrated. And I can say I have been convinced. 

A model in a pink and grey outfit walks down the runway amidst rows of attendees 

Kendrick Tran wraps up FAT FW 2023 with a black and white collection (Kinza Zafar / CanCulture)

Kendrick Tran

Kendrick Tran’s showcase was something more of a theatrical performance. He opened with a video monologue that questions all of our existence, and then the collection kicked off with heavenly all-white pieces. After an interactive segment engaging the audience by asking them to turn on their flash, the showcase then transformed into an all-black collection of designs coming down the runway. Reminiscent of Dion Lee, Tran’s designs feature classic silhouettes with bold cut outs. Elegantly modern, this was a beautiful and dramatic conclusion to FAT 2023

Showstopping: Fashion Art Toronto 2023’s final fall and winter looks #FashionArtToronto

Local designers and TMU students brought fashion week to a dazzling end 

By Kinza Zafar

A person wearing an all-black look including a bralette, skirt, tights, heels and a hat, struts in between seated attendees. White, blue and pink lights flash behind them.

Fashion at TMU, alongside other exceptional designers, took to the 200-foot long runway for Fashion Art Toronto.

Over the course of four days, the city’s most devoted fashion lovers, designers and wearers flocked to the west-end for a new Fashion Art Toronto (FAT) season. Complete with multi-arts vendors, food and booze stands, live DJ sets and a 200-foot runway, attendees at the Black Creek Assembly were met with various sensory spectacles while uniting to indulge in the best of the city’s fashion. 

From gothic glamour and dystopian drama to cyberpunk couture and streetwear slay, FAT’s last day delivered on all fronts. Sitting atop a black podium, camera in hand, awaiting each model’s turn, strut and pose, prepared to capture every thread and expression encouraged non-stop ooh’s and aah’s behind the lens. Featuring works from talented designers from Fashion at TMU (Toronto Metropolitan University), KDJM Studio, Kolleen Boutique, Refaya Turshin, Purple Hearts Supply, Solouk, Brandon Keir, Kerotix and Kendrick Tran, the following photos showcase some of the final best that this fashion week season had to offer. 

A person wearing a white pearl-like open-crochet tank top and matching head piece with a fluffy white skirt layered beneath a shorter black skirt. The look is complete with black lace gloves, black platform mary jane shoes and white eyeliner.

Fashion at TMU partnered with FAT this season to celebrate Queer, Trans, Black Indigenous and People of Colour (QTBIPOC) student work (Kinza/Zafar).

A person wearing an all-white bridal look featuring a corset, draped skirt, thin veil and nude shoes. They have a solemn stare as their hands are tied behind their back

Fashion at TMU partnered with FAT this season to celebrate Queer, Trans, Black Indigenous and People of Colour (QTBIPOC) student work (Kinza/Zafar).

A person wearing an all-white base layer consisting of a tank top, fishnets and underwear with a satin-lined baby blue coat and strappy red high heels.

Fashion at TMU partnered with FAT this season to celebrate Queer, Trans, Black Indigenous and People of Colour (QTBIPOC) student work (Kinza/Zafar).

A person wearing a grey and cool forest green cropped sweater, no pants, mid-calf tights and black chunky heels. The look is complete with long rhinestone and textile hair.

Fashion at TMU partnered with FAT this season to celebrate Queer, Trans, Black Indigenous and People of Colour (QTBIPOC) student work (Kinza/Zafar).

A person wearing a long colourful skirt with fabric draping around their arms, a baby pink short corset top and a large feather circle framing a crown headpiece. The look is complete with many details including flowing pearl strings and gold and silv

Fashion at TMU partnered with FAT this season to celebrate Queer, Trans, Black Indigenous and People of Colour (QTBIPOC) student work (Kinza/Zafar).

A person wearing a groovy patterned crop top and wide leg trousers with pink, purple and white hues. The look is complete with spiky frost tipped hair and white chunky sneakers.

From Toronto-based KDJM’s organic streetwear inspired collection (Kinza/Zafar).

A person wearing white square sunglasses, ultra high waisted blue and white patterned pants and a full sleeve cropped white collared button up with pointy shoulder pads. The look is complete short slicked back black hair and silver hair jewelry, alon

From Toronto-based KDJM’s organic streetwear inspired collection (Kinza/Zafar).

A person wearing flared leather pants with white patterned boot legs and an asymmetrical crop top with the same pattern. The look is complete with silver bracelets and rings, on one hand only, and black leather boots and tied back hair.

From Toronto-based KDJM’s organic streetwear inspired collection (Kinza/Zafar).

From Canadian luxury leather and coat designer Kolleen Boutique’s new collection (Kinza/Zafar).

From Canadian luxury leather and coat designer Kolleen Boutique’s new collection (Kinza/Zafar).

A person twirling in a long silver chrome trench coat wearing black leather pants and booties.

From Canadian luxury leather and coat designer Kolleen Boutique’s new collection (Kinza/Zafar).

A person wearing an all-white look including a draped dress with a centered bow and a flower crown. They hold and throw sheer white fabric while striking acrobatic poses.

From multi-disciplinary Toronto artist Refaya Turshin’s Bengali textile collection featuring architectural structures and natural dyes (Kinza/Zafar).

From multi-disciplinary Toronto artist Refaya Turshin’s Bengali textile collection featuring architectural structures and natural dyes (Kinza/Zafar).

From multi-disciplinary Toronto artist Refaya Turshin’s Bengali textile collection featuring architectural structures and natural dyes (Kinza/Zafar).

A bare-foot person wearing an all-white look including a satin dress and a sheer floor-length layered chiffon coat.

From multi-disciplinary Toronto artist Refaya Turshin’s Bengali textile collection featuring architectural structures and natural dyes (Kinza/Zafar).

A person wearing a white cape lined with gold satin and trimmed with white fur, a white dress with a gold satin belt, white boots and a white toque.

From Purple Hearts Supply’s second collection reimagining and merging formal and casual wear (Kinza/Zafar).

From Solouk’s seemingly minimal yet structurally complex achromatic collection (Kinza/Zafar).

A person wearing black letterman-like jacket with a double-white-line trim and square letters reading “AFTERLIFE.” The look is complete with ultra thigh high black leather boots, a leather skirt trimmed with pierced safety pins, chunky silver jewelry

From famed Toronto-based designer Brandon Keir’s vampiric genderless collection “Afterlife” (Kinza/Zafar).

A person with their mouth agape and hand on hip wearing a backless black and red leather bodycon dress, black open-toed heels and long blonde hair.

From famed Toronto-based designer Brandon Keir’s vampiric genderless collection “Afterlif” (Kinza/Zafar).

A person wearing an asymmetrical one-shoulder, one-sleeve red chrome top with silver spikes and chains and a floor-length layered chiffon skirt. The look is complete with long grey locs, a statement diamond necklace and red boots.

From famed Toronto-based designer Brandon Keir’s vampiric genderless collection “Afterlife” (Kinza/Zafar).

From Kerotix’s cyberpunk-meets-y2k collection featuring strong silhouettes and soft styling (Kinza/Zafar).

A person wearing a long sleeve grey and pink contrast top with puffy shoulders and pink cursive text reading “KEROTIX.” The look is complete with a pink and grey patterned contrast skirt, baby pink tights, pink ballet-slipper-like kitten heels, black

From Kerotix’s cyberpunk-meets-y2k collection featuring strong silhouettes and soft styling (Kinza/Zafar).

A person wearing an all-white satin look including a bow-like off-shoulder top and ruched trousers. It’s styled with long blonde hair, silver and pearl jewelry, off-white boots.

From Kendrick Tran’s debut solo and show-closing collection exploring the Vietnamese-Canadian designer’s coming out journey (Kinza/Zafar).

A person wearing a floor-length form-fitting black dress that flares at the knee. The look is complete with simple silver jewelry, nude nails and wavy hair.

From Kendrick Tran’s debut solo and show-closing collection exploring the Vietnamese-Canadian designer’s coming out journey (Kinza/Zafar)

A bare-chested person wearing a structured knee-length black skirt, branded with Kendrick Tran’s name at the waist, and black leather boots. Long black ropes tied and draped over the model resembling barbed wire sweeps the floor as they walk.

From Kendrick Tran’s debut solo and show-closing collection exploring the Vietnamese-Canadian designer’s coming out journey

Fashion Art Toronto Day 3: Barbies, Club Kids and space cadets take Toronto’s breath away #FashionArtToronto

On Saturday, Nov. 18 2023, Fashion Art Toronto designers, new and old, revamp the runway with this fall/winter season showcase.

By Reema Najjar

Model wearing white off-the-shoulder above-the-knee dress while holding green cash tote.

Fashion Art Toronto model Amrit, showcases Mr. Haque. (Reema Najjar/CanCulture Magazine)

Day three of this fall/winter season at Fashion Art Toronto was a fusion of fashion and performance art ranging from violinists, to choreographed dances, and musical performances. 

Most notable was Indonesian violinist Arma Dharma’s musical stylings for designer Juan Iskander’s KOH Montreal. KOH Montreal featured Fashion Art Toronto’s first Indonesian model, Jeremy Tobing. 

Check out these runway designs in this CanCulture-exclusive interactive gallery:

Nazia Rehman’s tailored silk has traces of influence from Barbie, with hot pink power suits, and subtle shoulder pads. 

Jessica Halabi’s bridal runway allowed for the extravagance of traditional Arab cultural weddings to take the stage. Halabi pays tribute to Palestinians with a Keffiyeh, a cultural and political statement embodying a symbolic show of solidarity. In sleek fashion, designer Jessica Halabi wore the Keffiyeh herself.

Mr. Haque's thematic approach to his collection was second to none. His new line ‘Avarice’ centers around a pinstripe pattern and incorporates choreographed dances. Before the debut of his first runway collection, captivating visuals grabbed the audience; with apocalyptic and cyber-punk elements. 

Lacel’s second season’s runway showcase, ‘Explicite’, was equally jaw-dropping with their ‘club kid’ inspired designs (quite literally written on the designs themselves). The designer behind Lacel, Julien Lacel, has experience walking for previous Fashion Art Toronto runways as a model themselves. This runway stood out, as models walked down sporting ‘Troll-doll’ hair to match the funky and psychedelic approach to fashion design. 

Raccoonguts took the audience by storm as well. A stylish warrior going to battle is what I pictured when viewing this runway. Most notable was the diversity in gender expression, and representation of disabled folks showcased with the model selection.

Last, but most definitely not least, the show closes off with VVeyago. A galactic journey was taken with this show. VVyeago’s designs remind me of futuristic space-wear inspiration, Star Trek comes to mind. Upon viewing previous runways of this designer, it is clear this designer has revamped and evolved this space odyssey-like show. 

A celebration and opportunity for exposure to local fashion design, Fashion Art Toronto attracts a vast genre of artists fascinated by what this city’s fashion could offer. The 2023 Fall and Winter season for its third day of Toronto’s runway showcase, reinspired, evolved and most importantly, slayed.

Fashion Art Toronto Day 2: Living in a modern world #FashionArtToronto

Local talents and creatives celebrate shared love for fashion on the Fashion Art Toronto runway and Fashion Playground on Nov. 17 this year

By Monserrat Quintana

three models walking in a runway for Kyana Bird’s collection for Toronto Fashion Week 2023

Kyana Kingbird’s Fall/Winter 2023 collection on the runway (Monserrat Quintana / CanCulture)

Diversity, attentiveness, grit and impact are four words that describe this season’s collections at Fashion Art Toronto.

Friday Nov. 17 was the second day at  Fashion Art Toronto. The venue was filled with visual and audible vibrance. As lights reflected from the posters on the wall, the attention was turned to the attendees on the red carpet who came dressed to impress. 

Outside the runway room is home to the “Fashion Playground” where some designers showcased their collections in a more interactive setting. 

As the audience took their seats, the lights dimmed inside the runway venue. And it begins — a night of celebrating extravagance and a passion for fashion. 

Model looking at the camera while walking on the runway

Look from Kyana Kingbird’s collection for Fashion Art Toronto 2023 (Monserrat Quintana/CanCulture)

Kyana Kingbird

The night kicked off with Kyana Kingbird, an Indigenous designer who makes custom one-of-one garments. Once the show started, Kingbird’s designs stole everybody’s stares and admiration. Worn by a diverse group of models, the designer chose black, pink and blue as the main colours of her collection.

Model wearing a blue top and pants along with a black belt on their waist 

Madeleine Nelson look for Fashion Art Toronto 2023 Fall/Winter (Monserrat Quintana/CanCulture)

Madeleine Nelson

Coburg, Ont. based designer, Madaleine Nelson showcased a collection inspired by the 60s and cowboy aesthetics. As a returning designer at Fashion Art Toronto, Nelson showcases a collection centred around her favourite colour, with pink as the main colour palette. Accompanied by country music, the garments showed an elevated moment.

Model posing for a picture on the runway, wearing white pants and a stripped poncho

Nouvelle Route du Coton look from collection for Fashion Art Toronto 2023 Fall/Winter 2023 (Monserrat Quintana/CanCulture)

Nouvelle Route du Coton

For the third show of the night, Nouvelle Route Du Coton showcased different patterns and textures as an effort to promote the cotton of Mali

Models showcasing Suburban Deviant designs on the red carpet.

Suburban Deviant models posing for the red carpet (via Instagram @suburbandeviant

Suburban Deviant

Suburban Deviant showcased a maximalism aesthetic in their collection. Being  one of the most expressive and colourful  collections of the night, designer Danny Welsh did not lack in his creativity. After the runway exhibition, the models stayed on the “fashion playground” for a fashion exposition. They were accompanied  by special lightning and beautiful colours in the display that complimented Welsh’s designs.

Model wearing a butterfly-like crop top and re-sewn pants with different material

L.A. Xandr look for Fashion Art Toronto 2023 (Monserrat Quintana /CanCulture)

L.A Xandr

L.A Xandr demonstrated a colourful collection resembling a rainbow. The made-to-order slow fashion brand based in Toronto centred its collection on sustainability and used recycled materials to create every garment. 

Model wearing a white blouse with a purple textured tie. On the bottom the model wears a layered skirt with two belts

One of Macel's looks for Fashion Art Toronto Fall/Winter 2023 collection (Monserrat Quintana/CanCulture)

Macel

Following the last show, the lights were turned off and the logo for “Macel” was shown on the screen — a brand featuring four designers who are first-time participants at Fashion Art Toronto.

For it being their first fashion showcase, their organization and presentation were impeccable. 

From hoodies to gray velvet pants to shoulder-pad shirts , the designer gave a wide variety of designs. 

Model smiling wearing a coloured button patterned blazer. On their head the model wears a uniquely designed hat

One of the looks from KYNG KEVI by SkinnyBoiX’s collection Fall/Winter 2023 Fashion Art Toronto collection (Monserrat Quintana/CanCulture)

KYNG KEVI

At the “fashion playground”, KYNG KEVI by SkinnyboiX showcased their collection on the runway platform. The designer’s collections displayed a sense of uniqueness and unconvention. Designs like complex buttons on a blazer, sparkling skirts with fun ties reflect the designer’s creativity

Model wearing a sparkly silver dress along with a silver wig on the runway

House of Hendo look for Fall/Winter 2023 Fashion Art Toronto collection (Monserrat Quintana/CanCulture)

House of Hendo

For the last show the night, attendees weres pleasantly surprised by the production and the intricate collection from House of Hendo. It started with the presentation of a collection of memories and the creation of the garments.

As the touching video came to an end,  the first model came out to showcase the first look. The show featured glitter and sparkles,  a special moment to close out the second day at Fashion Art Toronto.

Model posing on the red carpet wearing an all-black mesh outfit with a flintstones tie

Ange Lauriane, @lo_bunnies on Instagram posing on the red carpet (Monserrat Quintana/CanCulture)

model wearing a red blazer and sparkly shorts with red leggings underneath.

Sovyk, @Sovykk on Instagram posing in front of Fashion Playground at Fashion Art Toronto  (Monserrat Quintana/CanCulture)

Invitee wearing a denim jacket with a brown leather collar. Underneath they wear a denim jacket paired with wide-leg jeans.

Shorromme posing in front of the Fashion Playground at Fashion Art Toronto (Monserrat Quintana/CanCulture)

guest wearing a pearl-coloured dress standing in front of a white background.

VIP guest posing in front of Fashion Art Toronto sign (Monserrat Quintana/CanCulture)

two women sitting on a white chair posing for the camera while waiting for the runway show to start

Isabella Deiulis and Neda Madany sitting in front row for Kyana KingBird fashion show (Monserrat Quintana/CanCulture)

Designers showcasing their outfit while they stand next to the shops

Brandon Keir and Michelle Forcelledo standing in front of Fashion Art Toronto sign (Monserrat Quintana/CanCulture)

models wearing Nouvelle Route Du Coton’s collection on the red carpet

Nouvelle Route Du Coton team poses on the red carpet of Fashion Art Toronto (Monserrat Quintana/CanCulture)

Two women standing in front of a fashion week sign

Attendees at Fashion Art Toronto - Bratz dolls! (Khadijah Ghauri CanCulture)

Two women with colourful hair behind a bar

Bartender Barbies! The women behind the 1664 bar! Khadijah Ghauri/CanCulture)

Fashion Art Toronto returns for Fall 2023 show #FashionArtToronto

Over 40 Canadian designers displayed their multi-garments through runway shows, art installations and presentations at this year’s fall event

By Teresa Valenton

The multi-fashion festival, Fashion Art Toronto returns for fall programming at Black Creek Assembly. With an introduction to the ‘Fashion Playground,’ the first day of the festival, Thursday, Nov. 16, was kick-started by four in-house designers. First established in 2005, this festival has become Toronto’s longest-running fashion week in the city. Coming together to celebrate Toronto’s fashion scene, this year's cohort continues to push boundaries in the culture scene.

From experimental takes on Indigenous Futurism from Ayimach Horizons to Tristan Réhel’s eccentric border between reality and fantasy, day one of this festival left for extraordinary pieces. Other featured designers include Mayer and Fugnitto, with an opening presentation by Marisa Ricci. Each collection sought to explore and examine the boundaries of garments and their relation to each designer. By combining traditionally conventional designs with statement pieces, attendees were given an unforgettable experience. 

Check out these runway designs in this CanCulture-exclusive photo essay: 

A person wearing a bright green dress with eccentric makeup on the fashion runway.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a white sheer dress, long nail accessories, and a bow headband.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person walking on a fashion runway with a large white dress with colourful accessories in addition to bright pink makeup.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a ruffled pink dress with bright purple makeup on the fashion runway.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person walking on a fashion runway with a blue feathered face mask and multi-colour garments.

From Ayimach Horizon’s remix of cultural references into a space of Indigenous Futurism. (Teresa Valenton/CanCulture)

A person wearing a long white dress with a colourful bag and puffed ponytail on the runway.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a large ruffled black dress on the fashion runway with neon green makeup.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a draped pink dress paired with orange gloves.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a long, sleek orange dress with featured head accessory detailing.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a plaid boxy garment with a leather purse and yellow sunglasses.

From Ross Mayer’s androgynous collection rid of labels and restrictions. (Teresa Valenton/CanCulture)

Close-up shot of a person on a runway with a white top and wired blue hair accessory.

From Tristan Réhel’s curiosity for sexual liberation into ‘fever-dream-core.’ (Teresa Valenton/CanCulture)

A person wearing a plaid boxy garment with green sunglasses.

From Ross Mayer’s androgynous collection rid of labels and restrictions. (Teresa Valenton/CanCulture)

A person wearing a metallic top, and blue skirt, with yellow accessories on a fashion runway.

From Ayimach Horizon’s remix of cultural references into a space of Indigenous Futurism. (Teresa Valenton/CanCulture)

Back shot of a fashion model wearing a bright blue dress and braids.

From Ayimach Horizon’s remix of cultural references into a space of Indigenous Futurism. (Teresa Valenton/CanCulture)

Telling stories through clothing: “Gathering” review

A new exhibit at the Textile Museum of Canada shines light on the historical importance of textile

By: Sharon Arulnesan

A black wall with white text detailing information about the “Gathering” exhibition at the Textile Museum of Canada.

Information about “Gathering” is displayed at the beginning of the exhibition at the Textile Museum of Canada in Toronto. (Sharon Arulnesan/CanCulture)

Themes of ancestral reclamations and longing for the homeland are displayed in the Textile Museum of Canada’s “Gathering” exhibition.

Showcasing textiles from a range of time periods, each piece falls into the narratives of migration and diaspora, the comfort of everyday life, reclaiming and retelling ancestral histories, and highlighting the connection between the environment and textile usage.

“Gathering” aims to elicit insightful thoughts from its visitors about how textiles can create stories over time and different lands, and the meaning behind each carefully placed thread in the pieces.

The pieces shown in the exhibition are from the museum’s permanent collection and were selected by artists from different communities to be included in “Gathering.”

Artists were chosen to reflect on different pieces in the museum’s permanent collection. The artists described their personal connection to the artwork they chose through video responses on the museum’s website.

Par Nair: Silk Sarees from India

In the section about ancestral reclamations, Par Nair, an interdisciplinary maker based in the Greater Toronto Area, responded to a silk sari, fashioned in a style called patola, a garment worn typically for weddings in Gujarat, India. The sari was made in India in the mid to late 19th century

An Indian sari spread out

This is the Indian sari Par Nair responded to at the Textile Museum of Canada in Toronto. (Dress/The Textile Museum of Canada)

“For me, working with textiles and embroidery is a more sustainable way to keep my art practice going. It has also allowed me to consider the relationships between textiles and migration. The work aims to examine how textiles can carry cultural heritage, historical contexts and personal narratives of migration,” said Nair in an interview. “It also allows me to gain a broader perspective on craft traditions and storytelling of my ancestors.”

Nair is currently working on a series of works called “Letters of Haunting” where she hand-embroiders letters to her mother on her mother’s sarees.

“To me, the work is about the labour of reaching and care, and about memory held in objects. I think working with a material like that speaks to body archives, the types of memories the saree carries and also to the stories the sarees can tell,” Nair said.

An orange and blue saree hung from the ceiling with embroidered words on them

Par Nair’s work, “Letters of Haunting” that was created as a response to the wedding saree from the Textile Museum in Canada (parnairr via Instagram)

Nair aimed to tap into the memories that both of the sarees carry, and through her piece Letters of Haunting, send nonverbal messages to her mother who lives in India.

Beenish Tahir: Dresses and Phulkari

In the Migration and Diaspora section, the pieces evoke feelings of reconnecting with one’s family who live on a distant land, as a result of migration.

Beenish Tahir, a textile researcher and scholar, responded to two dresses from Pakistan that were made during the 20th century.

Alt text: Two Pakistani dresses on wooden stands in a museum display.

The two dresses from Pakistan that inspired Beenish Tahir’s response at the Textile Museum of Canada in Toronto. (Sharon Arulnesan/CanCulture)

Tahir selected these pieces from the museum’s collection to respond to because of her childhood-originating fascination with embroidery, taught to her by her grandmother and mother.

Beenish reflected on how craftspeople from Pakistan express their culture through embellishments, motifs, and colours in their textiles during times of social and political change.

Sarah Larock: Dutch Klederdracht

Tying back to themes of connecting to one’s ancestors, Sarah Larock chose a short jacket from the museum’s collection to respond to. The jacket originates from Zaanstreek, Netherlands, from around the late 18th century.

Alt text: A red Dutch jacket propped up on a stand in a museum display.

The historical Dutch jacket Sarah Larock responded to at the Textile Museum of Canada in Toronto. (Sharon Arulnesan/CanCulture)

This jacket, made with pieces of Indian painted cottons sewn together, was initially worn by Dutch working-class people, but was later adopted as fashionable day-time wear.

Larock has been working on creating a klederdracht as a way of reconnecting with her Oma, her grandmother, and as a way to learn more about her Dutch roots.

Sewing has become one of the ways Larock and her Oma communicate despite language, hearing, and distance barriers.

Textiles and the Environment

The exhibition connected several more pieces that, although were not responded to by artists, stand as fascinating, historic objects for visitors to learn about.

The mino-boshi, or rain hat, made entirely of natural materials, originates from Honshu Island, Japan, from around the mid 20th century.

A straw hat in a glass display.

The mino-boshi, or rain hat, from Honshu Island, Japan in the Textile Museum of Canada in Toronto. The hat is made of bamboo and other plant fibres. (Sharon Arulnesan/CanCulture)

The hat, typically worn exclusively by workers in the mountains, hunters and woodcutters, is made out of rice straw, bark and seaweed.

The threads are dyed with indigo and persimmon juice, making this hat completely naturally made.

This piece is part of the Resilience section of the exhibition. Objects in this portion display how handmade textiles are interwoven with nature and the planet.

The pieces emphasize how people from around the world reduce their environmental impact by finding resourceful ways to construct clothing.

In an urban, constantly-changing city like Toronto, these artists and pieces have shown how textiles bring together communities from all over the world and comfort people on a land far away from home.

“Gathering” presents a common motif to its visitors: no matter the distance or time passed, it only takes a few hundred woven threads to tell a story.

The “Gathering” exhibition will be open until March 31, 2024 at The Textile Museum of Canada.

Quoted x Vampires Prom — A Halloween fashion lookbook

Toronto underground music showcase summon extravagant costumes and lively performances

By: Sena Law

Five images of people in costumes cut out on a background graphic with texts, texted reads “quoted Halloween lookbook vampire prom”

Attendees and artists showed up with their best costumes at Quoted x Vampires Prom Halloween party (Sena Law/CanCulture, background graphic via @vampiresprom)

On Oct. 31, spotlights shone through the stained glass of Bar Cathedral onto The Esplanade in downtown Toronto. Along with the lights emanating from the cathedral-inspired music venue are the sounds of lively rap music and waves of cheers and excitement coming from the crowd. Vampires Prom, a monthly music event dedicated to showcasing the local underground music scene, worked alongside Quoted Toronto to curate a Halloween music showcase for this year’s spooky season. 

Instead of ghouls, 13 musical artists haunted Bar Cathedral with their deadly-energetic live performances. The show was headlined by Toronto artists Gabriel LA, Luc Belaire, damn drone as well as Vampires Prom creators and fellow musicians , Trae Gold and Lofsky

The Halloween spotlight is mutually shared by attendees of the event who showed out in their best costumes. From horrifying to horrifyingly adorable, the costumes present were not short in creativity or effort. 

Stepping into the dimmed music hall of Bar Cathedral, the atmosphere encapsulated the creative essence of the Toronto underground music scene, as reflected on the attendees’ costumes at Quoted x Vampires Prom Halloween event. 

A couple in their Halloween costumes. A woman in a structured red gown with vampire makeup links arms with a man in a velvet suit and mask.

Tony and Chloe haunt Bar Cathedral as Velvet Skull and a Victorian Vampire. (Sena Law/CanCulture)

A woman poses in front of a mirrored vanity in a Playboy bunny costume

Neece (@coyboybeepbop) stunts in red hair and a Playboy bunny costume. (Sena Law/CanCulture)

Emma’s (@em.forhan) clever take on The Devil Wears Prada. (Sena Law/CanCulture)

Gab (@gxiis) perfectly captures the essence of Wednesday Addams in her costume. (Sena Law/CanCulture)

damn drone (@damndrone), one of the performers, shows off his Matrix-inspired Neo costume. (Sena Law/CanCulture)

Catrina (@catrinar0se) as Little Bo Peep in her handmade skirt set. (Sena Law/CanCulture)

Sabrina (@sabrinalucer0) pays tribute to rock band KISS in her Paul Stanley costume. (Sena Law/CanCulture)

Aninha and her partner as Harley Quinn and the Joker. (Sena Law/CanCulture)

A man dressed in a chef costume with a stuffed animal mouse on his head.

Michael as Alfredo Linguini from Ratatouille featuring his mouse friend. (Sena Law/CanCulture)

A woman poses in front of a crowd in a ballerina costume.

Surina (@surina.0) as a Black Swan-inspired ballerina. (Sena Law/CanCulture)

A man in joker makeup

Lexus (@topboylexus) as rapper Playboi Carti-inspired joker. (Sena Law/CanCulture)

A woman poses in an all-green costume in front of a crowd

Emma (@emma.rigby) stunts as a Leprechaun in an all-green costume. (Sena Law/CanCulture)

A man dressed as a cowboy in front of a mary-go-round .

Jacob (@jacob.madeira) “slays” in his cowboy costume, appropriately posed in front of the mary-go-round decoration inside the venue. (Sena Law/CanCulture)

Halloween costumes ideas to “creep” up with the trends in 2023

From viral internet sensations to blockbuster movie characters, CanCulture has got you covered with some modern costume ideas.

By Hafsa Hanif

It's that time of year when we put the "boo" in "boogie" and the "eek" in "chic." 

In this eye-popping, cobweb-clearing and absolutely bone-chilling list, we're going to explore the hottest, trendiest, and most outlandish Halloween costume ideas for 2023. Forget the phantom of past costume trends— it's time to summon the spirits of characters, memes, and moments that define this year!

Here are seven costume ideas that will transform your Halloween into the very essence of 2023, you won't want to miss a single spine-tingling detail.

Workout Barbie and Ken

Because the Barbie movie was the phenomenon that it was, Barbie costumes are only to be expected for this year’s spooky season. Spice up your Barbie costume by turning your Halloween into a fitness fiesta with Workout Barbie and Ken costumes! For Barbie, this ensemble includes a vibrant workout-themed outfit that’s both sporty and spooky. And don't forget your leotard - it's pretty much mandatory for this one

Grab a partner to complete the Workout Ken costume, so you and can be a spooktacular fitness duo that is sure to haunt the dance floor.

The Addams Family

 Wednesday Addams l GomezMorticia 

From the popular Netflix series Wednesday, get ready to step into the dark and mysterious world of the Addams family as Wednesday Addams for Halloween! This costume embodies the eerie and iconic character played by Jenna Ortega. With a gothic black dress, pale makeup and her signature braids, you will transform into be the spookiest member of the family. Enlist a few friends and complete the Addams family ensemble to make the coolest “family-friendly” group costume. 

Loki

Buy it here


Why did Loki never excel in mathematics? Because he could never figure out which side he's on – 'odd' or 'even'! Ride the wave of the Loki TV series’ second season and conquer the costume contest with your Loki attire, and remember, with great mischief comes great responsibility (to have fun)!

Rihanna from the Super Bowl LVII Halftime Show

Zip up | Gloves | Mic prop | Sweater

If you want a jaw-dropping moment like Rihanna had at the LVII Super Bowl, then consider recreating her iconic all-red outfit at her pregnancy announcement performance. You do have the option of purchasing the original outfit worn by Rihanna by LOEWE for just over $2000, but if you are on a slightly tighter budget, it would not be difficult for a DIY outfit that still encompasses Rihanna’s fierceness.  

Ice Spice 

Speaking of icons from this year, it would be unjust not to mention hip-hop's newest princess and everyone’s obsession — Ice Spice. Whether you are looking for a munch or wandering around delis, this Ice Spice costume is bound to catch the attention of everyone in the room. Grab an orange curly wig, your best outfit and a bad “B” attitude, and you are all set. 

Spider-Punk

This list would not be complete without the spider-verse’s newest favourite rockstar. Whether it’s the version from the comic book or Spider-Man: Across the Spider Verse, dressing up as Spider-Punk will guarantee your presence to be an edgy and eccentric one.

Drake and Adonis

This duo costume idea is in honour of the recent release of For All the Dogs by Toronto local legend- Drake. This Halloween’s trendiest duo costume idea is crowned to that of Drake and Adonis, who also made major waves with his feature on the album. There are many ways to dress up to pay tribute to the father-son duo, one of the more creative ones includes a red apron for the drake costume (from his recent performance on tour in a red apron) and a curly blonde wig for the Adonis counterpart. 

Taylor Swift from The Eras Tour

The “Queen of Pop” made major headlines with the Era Tour this year. With this Taylor Swift-inspired costume, you'll be rocking the superstar's signature style and you'll be the life of the party, just like Taylor herself. Put on your stylish attire, grab your guitar (real or air) and prepare to "never go out of style" as Taylor Swift. You can also pick outfits that resemble any “eras” for a twist. Remember, in this costume, you're always "fearless" and "ready for it!"

As the clock ticks towards the eeriest night of the year, 2023 is poised to deliver a Halloween like no other. We’ve unveiled seven costume ideas to define moments from here and now. In a world where past costume trends are banished into shadows, we step into terrifying your friends and family with 2023-inspired attire.

Let this night be filled with spine-tingling chills, unforgettable moments and a touch of magic that only 2023 can provide! 

19-year-old gets pinned as head of luxury streetwear line by HENDRIXROE

After a short interaction at Fashion Week Toronto 2022, Jordan Mckay, owner of HENDRIXROE, offered Costa Dumitras a chance that would change his future in the fashion world.

By: Monserrat Quintana

In September 2022, the application for designers, models and artists for Fashion Art Toronto Fall/Winter 2022 showcase opened. Two siblings — Costa Dumitras and Sophia Dumitras — searching for a place in the fashion world, decided to apply.

For Costa, a designer striving to reach a wider audience, fashion is important. Near the end of his high school years, he started a sustainable fashion brand where every piece was second-hand and redesigned. He also focused on breaking gender norms showcasing men wearing clothes deemed “feminine," such as skirts and crop tops. The second-hand redesigned aesthetic brought him to pursue a style now referred to as “Krater."

After two years of designing and working on it, he hosted his first fashion show in collaboration with a men-only fashion organization that offers opportunities for unknown designers to show their work. He has also participated in several markets in the city of Toronto, which allowed him to get more exposure in the community.

The plan was never to be a model. Costa would rather make the clothes than showcase them. He found the process of taking pictures “really cheesy” and said the application processes sounded like a headache to him. But Sophia had other plans. She was excited to start her career as a model and wanted her brother to join her on the journey.

Costa Dumitras modeling Krater sweater. He is using a grey sweater with Krater unique pattern designed with a silk-screen print machine

Costa Dumitras showcasing Krater sweater for a collection look-book. He is wearing Krater denim redesigned by himself. (Monserrat Quintana/CanCulture)

When the casting for Fashion Art Toronto 2022 was announced, Costa was surprised he had been chosen and his sister was not. He felt amazed to see that his tryouts had made an impact on his career. Even though Sophia was the one who wanted the role, they were both happy one of them would be part of the experience. Even though Costa was not interested, he was in.

When he arrived at Parkdale Hall in Toronto for the show, he immediately felt out of place. While everybody had suitcases and extravagant outfits, he had just returned from the skate park, his backpack on one shoulder and his skateboard in his hand.

People were hastily working on measuring clothes, fitting the models, and “yelling” at one another. Being part of the fashion industry during an important event showed him what it was really like “behind the curtains.”

Costa decided to investigate what every designer spot had to offer since, for him, this was an opportunity to make connections and get to know the industry better.

He met Jordan Mckay, the designer of HENDRIXROE, at a fitting session before the show.

During the show, Mckay realized Costa was not like the other models. He helped her move figures and garments around. He understood that Mckay worked in a fast-paced environment where her focus needed to be on improving whatever lacked “perfection,” and his behaviour showed that. This caught her attention.

Two days after the fashion show, Costa texted Mckay through Instagram direct messages and said: “I already miss you guys, let’s work together." In response, Mckay asked, “Would you be interested in working as a junior designer for HENDRIXROE and taking  on the streetwear side?”

Little did he know, his expectations would be quickly disproven. “This was almost meant to be — I got lucky,” says Costa. He accepted the offer to be the head of the line “HXR by HENDRIXROE,” a luxury streetwear brand, and began his journey as a young designer.

Mckay then decided to introduce Costa to other big names in the industry. His positive energy and commitment to making the business grow have allowed him to make a name for himself in Toronto’s fashion world.

Designers like Evan Biddell, winner of Project Runway Canada, have approached him to congratulate his work. “I’ve been getting invited to these crazy shows and exhibitions,” said Costa. “ I would've never thought I would achieve this so quickly.”

Their first project was the Palm Springs Fashion Week in 2023. HENDRIXROE showcased a 60-piece collection designed by Mckay and styled by the duo. This collection is inspired by high-couture fashion, with Jimmy Hendrix and Marilyn Monroe as influences. Dumitras and Mckay use a rockstar aesthetic that is “wearable” for every client.

The duo will soon launch a website with a catalogue for the clothes. “Jordan wants to grow her reach; my streetwear aesthetic and the online commerce will set it off,” says Costa.

Costa’s goal for HXR is to expand the business to Los Angeles, New York and Chicago. “The disposable income customers have in Canada is too low. People here have a much higher living expense compared to other countries in North America,” he says.

At the same time, Mckay has also been looking to appeal to a younger audience that will purchase garments in a simple way, considering HENDRIXROE, so far, is custom-made only.

Costa also wants to strike on his own, which has led him to start searching for tools to be able to put on a fashion show just like the one he attended. But this time, he wanted to be a designer.

Stallion.TO, a men's fashion show, offered Costa a place to create a fashion show for the first time. In December 2022, he made it happen. His brand Krater showcased a 10-look limited collection. Every piece is second-hand and reworked. Costa follows sustainable production practices along with a gender-neutral aesthetic for the garments.

Krater fashion show recap Dec. 9, 2022 (Instagram via @krater.world)

Costa has also been participating with fellow designers as part of a collective called CHROMA: Creative Collective in Toronto. They have participated in events such as  Toronto’s Night, and Hippie Market.  

CHROMA: CC will be hosting its own contemporary event on June 16th this year. Costa and his group have sold around $600 to 800 in limited pieces per day and designer.

Costa and Mckay have been working towards the launch of HXR at their temporary studio at 449 Church St. They will have a ready-to-wear summer collection inspired by each designer’s personal brands, HENDRIXROE and Krater. The duo shared their work in progress through Instagram stories and expect HXR to launch this summer. “People are not ready for what's to come,” said Costa.