You and the music: Going to a concert alone

As I went solo, not for the first time, I connected with the music, the crowd, the band, on a whole new level

By: Olivia Wiens

Mt. Joy performing at HISTORY on April 4. (Olivia Wiens/CanCulture)

As the crowd bustles around me, I am at peace. My mind is connected with the strings of the piano, the buzzing of the bass, the rhythm of the snare. My heart beats with the tempo of the drums; they grasp my hand and guide me through every song on the setlist. I’m zoned in on the stage, taking in everything with ease, with no one to distract me and only myself to be concerned with.

The music communicates with me as if I am one of the bandmates. It tells me when to improvise and when to stay true to the melody, when to ease the intensity and when to give it my all. It punches through my chest and crawls into my ears and lifts my feet off the ground. The melody acts as a weighted blanket, comforting me with lyrics I seem to only truly understand in this live setting; it’s almost as if they were written in a foreign language until now. 

The crowd, though rowdy and dissonant, is like the floor of an ocean, succumbing to wave after wave of music as it washes over them, cleansing them. For me, to be one with the crowd is to be fully immersed in the energy, allowing it to monopolize every bone and muscle in my body. It intoxicates my bloodstream but heals my every illness. I surrender to the crowd, letting their radiance overtake my mind and redress every thought in my head; it makes the music clearer, somehow.

As all of these elements — the decisive instrumentation, the brilliant lighting, the blended melodies and harmonies, the crowd’s energy — come together as one chaotic unit. And I serendipitously become connected to it all, bound at the hip with the unique experience of attending this concert alone. 

Matt Quinn, lead singer and guitarist for Mt. Joy, on stage at HISTORY. (Olivia Wiens/CanCulture)

There’s something ethereal about attending a concert by yourself, surrounded by strangers, each one of you staring up at the common interest that brought you together in the first place. It’s a sense of unspoken community. While you arrived at the venue by yourself, you’re not truly alone; it’s you and the music. Attending alone allows you to hone in on the harmonies, the bass, the intricacies within each song, without any other distractions.

To further support this claim, I made my way to HISTORY in Toronto to attend a concert by alternative-rock band Mt. Joy on April 4. The five band members filled the venue with soulful harmonies, rooted lyrics and chest-pounding arrangements, all existing as a cohesive ensemble to put on a truly life-changing show.

But while I could write about the impact this band has on its listeners, whether recorded or live, for paragraph after paragraph, the attention must now turn to what brought you here in the first place: the experience of going to a concert, or attending any social gathering, alone.

There is an ever-present stigma associated with going to social events like concerts or parties alone. It improperly insinuates that, without at least a plus one, you are a “loner” or you do not have many friends, not acknowledging the fact that going to social events alone offers a different perspective of your surroundings. With no one to distract you from the main event, whether it be a band on stage, a movie on a screen or an exhibit at a museum, you are able to centre your attention on the artistic intricacies before you.

Succumbing to that harmful stigma not only reinforces it in your mind, but restricts you from fully enjoying the artistry that is constantly happening around you. By being present with your surroundings, as well as being present within yourself, you are able to appreciate and acknowledge the beautiful complexities of daily life. 

When specifically attending a concert alone, you can effortlessly zone in on the music and zone out of every other hindrance. You become one with the melodies as you direct your focus to the stage. With no side conversations or back-of-the-mind worries to act as distractions, you’re able to place your entire body, mind and soul into what is directly in front of you. 

It’s as if an intimate bond forms between you and the music bleeding out of the speakers — each of your five senses are dialled to 11 as every instrument reaches your body. As the chords reverberate throughout the venue, solely focusing on that resonance allows you to move with the crowd as a collective unit. 

And if you go to concerts as a vehicle to spend time with your friends and bond with them in an active, electric environment, that is also an effective way to experience the music. Going alone only offers a different perspective that opens your ears to the subtleties of each note played. While diving into the social elements of the actual event is always a great time, making an active effort to experience the same event in a different, often stigmatized and under-explored way creates new experiences and memories that connect you more intensely with the music you already love. 

So while going to a concert alone might be daunting, being able to connect with every aspect of it on a truly authentic, individual level will guarantee a euphoric, musical experience that will stay with you for years to come. 

Daniel Caesar shines in his return to Toronto

By Xavier Eeswaran

Grammy award-winning artist, Daniel Caesar, brought his Case Study 01: Tour for two sold-out shows to Budweiser Stage on Sept. 28 and 29. Caesar’s set on Sept. 29 began with the opening skit of his newest album’s first song, “ENTROPY,” which was accompanied with black and red visuals shown on the curtains.

After the skit ended, Toronto hip-hop pioneer Kardinal Offishall ran out of the curtains before giving a UFC-esque intro for Oshawa-born Daniel Caesar, while the background singers sang the vocals to “CYANIDE.”

The crowd roared as Caesar ran out and held the microphone to the audience to sing the lyrics before he jumped in. Caesar, wearing a white t-shirt and black joggers, was visibly in awe of the approximately 16,000 fans. 

“I’ve been a lot of places on tour and there’s nowhere like home,” said Caesar before the crowd responded with a roar. His performance of “CYANIDE” included a previously unheard verse from Jamaican teenage sensation Koffee, who has been the opener for the majority of shows thus far on the Case Study 01: Tour. 

After his electric opener, Caesar followed up with his performance of “Love Again.” Soon after, he demonstrated his range as a vocalist as he sat on a stool and sang stripped down versions of “OPEN UP,” “VIOLET” and “COMPLEXITIES.” He then showcased his versatility as an artist, grabbing an acoustic guitar for “Hold Me Down” and “ARE YOU OK?”

Caesar’s band performed the entire night behind a transparent black curtain, accompanied by two background singers to his left and right. The singers came behind Caesar with guitar in hand for their performance of “TOO DEEP TO TURN BACK,” which made for a great live performance, as the track is built solely on an acoustic guitar and background vocals. The show featured fantastic visuals for every song, such as a beautiful visual of Kali Uchis behind Caesar for “Get You,” and a pole dancer for “Who Hurt You?”

The highlight of the show was his rendition of “SUPERPOSITION,” where the crowd was lit up with cellphone lights and lighters resembling stars shining in the night sky. 

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Highly Blessed and Highly Favoured

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Daniel Caesar will return to Canada for the tail-end of his tour with shows in Montreal, Halifax, Winnipeg, Saskatoon, and Edmonton before wrapping up with two shows in Vancouver.

The 24 year-old young star has come a very long way from singing on park tables in Trinity Bellwoods.