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Apr 22, 2024
A Couch Potato’s Guide: Surviving a Movie Marathon
Apr 22, 2024
Apr 22, 2024
Apr 20, 2024
Visions of Care and Collaboration and how queer filmmakers translate this theme into eight fresh shorts #TQFF
Apr 20, 2024
Apr 20, 2024
Apr 12, 2024
Liv McNeil breaks out in behind-the-scenes work with new documentary, The Making of Priscilla
Apr 12, 2024
Apr 12, 2024
Apr 8, 2024
Experiments in Short Film #TQFF
Apr 8, 2024
Apr 8, 2024
Apr 7, 2024
Exploring what it means to be free in Freedom From Everything #TQFF
Apr 7, 2024
Apr 7, 2024
Apr 6, 2024
Sailor Moon Super Scandalous indeed #TQFF
Apr 6, 2024
Apr 6, 2024
Mar 29, 2024
Fitting In: Maddie Ziegler's best performance yet in a heartfelt story about body agency
Mar 29, 2024
Mar 29, 2024
Mar 26, 2024
Beyond the Silver Screen: The work of film archival and archivists
Mar 26, 2024
Mar 26, 2024
Mar 25, 2024
Canadian nominees fall short at the 2024 Oscars
Mar 25, 2024
Mar 25, 2024
Feb 28, 2024
The Film Industry’s Ins and Outs for 2024
Feb 28, 2024
Feb 28, 2024
Feb 2, 2024
Don’t burn the CD: How these two stores challenge the disappearance of physical media
Feb 2, 2024
Feb 2, 2024
Jan 26, 2024
Celebrating young talent and community in the suburbs: The evolution of Eric’s Backyard Film Festival
Jan 26, 2024
Jan 26, 2024
Jan 21, 2024
What is going on with the MCU? A review of The Marvels
Jan 21, 2024
Jan 21, 2024
Jan 11, 2024
American Fiction: Jeffrey Wright gives a standout performance in Cord Jefferson’s debut feature film #TIFF23
Jan 11, 2024
Jan 11, 2024
Jan 10, 2024
The Boy and the Heron: Miyazaki’s triumphant (last?) film #TIFF23
Jan 10, 2024
Jan 10, 2024
Jan 8, 2024
Humanist Vampire Seeking Consenting Suicidal Person: Ariane Louis-Seize’s feature debut contains lots of blood, and even more heart #TIFF23
Jan 8, 2024
Jan 8, 2024
Dec 17, 2023
Love Actually did Brexit (not really)
Dec 17, 2023
Dec 17, 2023
Dec 15, 2023
In desperate need of holiday cheer? Check out these 10 festive movies!
Dec 15, 2023
Dec 15, 2023
Dec 13, 2023
CanCulture's executive team look back on the Toronto International Film Festival #TIFF23
Dec 13, 2023
Dec 13, 2023
Dec 13, 2023
Scott Pilgrim’s Precious Little Adaptation: A review of Scott Pilgrim Takes Off
Dec 13, 2023
Dec 13, 2023
Dec 7, 2023
Summer Qamp brings a whole lot of queer joy to the screen at #TIFF23
Dec 7, 2023
Dec 7, 2023
Dec 6, 2023
Is Creativity Dying In Hollywood? Canadians Share Their Takes
Dec 6, 2023
Dec 6, 2023
Dec 5, 2023
Redefining the Vietnamese diaspora in Ru #TIFF23
Dec 5, 2023
Dec 5, 2023
Nov 29, 2023
Giving voice to the voiceless: An interview with the writer and director of Red, White and Blue
Nov 29, 2023
Nov 29, 2023
Nov 28, 2023
Is Taylor Swift’s new concert film transforming the theatre industry?
Nov 28, 2023
Nov 28, 2023
Nov 23, 2023
Breaking Barriers: Deaf Stories with a Loud Impact
Nov 23, 2023
Nov 23, 2023
Nov 16, 2023
The future of deepfakes isn’t memes – it’s nonconsensual porn: A review of Another Body
Nov 16, 2023
Nov 16, 2023
Nov 11, 2023
Fitriya: Muslim On and Off The Court redefines what it means to be a Muslim woman in sports
Nov 11, 2023
Nov 11, 2023
Nov 4, 2023
Sci-fi Meets the Lovable Loser: A review of Relax, I’m from the Future
Nov 4, 2023
Nov 4, 2023
Oct 31, 2023
Founders Day: A bloody political slasher film review #TADFF
Oct 31, 2023
Oct 31, 2023