The Walls That Tell Stories

By Madison Wong

De Araujo’s Queen Street West Mural Project tells the history behind Queen Street West. His mural consists of real musicians, magicians, artists and more who have performed and roamed the street. (Photo courtesy of christiano_artist via Instagram)

De Araujo’s Queen Street West Mural Project tells the history behind Queen Street West. His mural consists of real musicians, magicians, artists and more who have performed and roamed the street. (Photo courtesy of christiano_artist via Instagram)

Mural art illuminates buildings, alleys, and public spaces in Toronto. They are unique in their ability to engage communities by storytelling, portraying messages and honouring remarkable people through vibrant paintings.

Mural artist Christiano De Araujo and his company have completed several eye-catching murals around the city. His most recent one tells the history and culture of Queen Street West. It consists of real artists, musicians, buskers, and others who have performed on the street.

“I love being able to express myself and who I am,” De Araujo said. “I go about my day in a constant high because I’m doing what I love.”

De Araujo said the great part about mural artists having their work displayed in public is the attention they receive from bystanders. Those who take and post pictures, ask questions and compliment their work also promote it.

Adrian Hayles’ Reggae Lane Mural at Eglinton and Oakwood.. (via Adrian Hayles)

Adrian Hayles’ Reggae Lane Mural at Eglinton and Oakwood.. (via Adrian Hayles)

Adrian Hayles, mural artist and painter, said he enjoys the community engagement process where he gets to have open discussions with clients about what they want him to paint.

He says that it gives him insight for coming up with sketches, colour concepts and feedback from the community. “Those discussions force me out of my box and allow for extraordinary creative possibilities,” Hayles said.

Standing twenty feet tall and one-hundred feet wide, Reggae Lane is a mural at Eglinton and Oakwood avenues that Hayles takes immense pride in. It features Canadian Reggae legends from that community.

Hayles emphasizes his love for the production process and how close it was to the heart of the community. “The fact that we get to help shape communities by telling their stories and creating pieces that hopefully outlast us is very special,” said Hayles.

Nick Sweetman.jpg

Like Hayles and De Araujo, artist Nick Sweetman has also completed projects that engage the community. He has partnered with StreetART Toronto, youth groups and other painters to create vibrant paintings and community engaging mural projects.

For one particular work, he created a monumental-sized mural with STEPS Initiative, titled “In Our Hands.” Working with a group of emerging high-school artists, they were able to complete a series of four pieces on the outside of Valley Park Middle School in Don Mills.

“It was a really rewarding experience working with girls who had never done a ton of art, let alone paint a huge mural … we really bonded,” Sweetman said.

Sweetman is also proud of a wall that was dedicated to a friend who passed away in September 2017. The project was originally started by himself and another artist, but it soon evolved into a bigger community project, bringing more people involved.

“We took up an entrance of graffiti alley (in downtown Toronto) and made the mural super tall so he’s looking down,” said Sweetman.

“Mike Kennedy: Remembered in Paint” at Portland and Queen streets. Completed by Sweetman in collaboration with Wales, Tensoe2, Braes, Sight, Getso, Poser, CTR. (Photo by: Patrick Cummins)

“Mike Kennedy: Remembered in Paint” at Portland and Queen streets. Completed by Sweetman in collaboration with Wales, Tensoe2, Braes, Sight, Getso, Poser, CTR. (Photo by: Patrick Cummins)

In the early stages of his career, Sweetman was proactive in chasing jobs. Now, after gaining recognition and partnerships from past clients, he has the jobs coming to him.

Sweetman says he has always kept three main principles in his mind; First to be a nice person, second, to deliver on his word and third to work extremely hard on every project.

“Potentially everything you make is the first and possibly only thing that someone will see, so you might as well make it kickass,” Sweetman said.

This piece was edited by Jacklyn Gilmor

Rachel Rawlins: painting a passion

By: Madi Wong

Toronto artist and illustrator, Rachel Natalie Rawlins (CanCulture/Madi Wong)

Toronto artist and illustrator, Rachel Natalie Rawlins (CanCulture/Madi Wong)

Rachel Natalie Rawlins is a Toronto artist and illustrator who brings life to music and her muses with her paintbrush.

Inspired heavily by photography and music, Rawlins has created many unique portraits of singers and other pop culture figures.

She says that collecting ideas through photographs is similar to someone covering a song today that came out in the ‘80s. The cover is out of love for the song and a desire to interpret it in their own way.

“Different songs can evoke for me a certain mood, vibe, memory and even colour. I am inspired to visually represent what I hear and feel, to make my painting move,” Rawlins says.

“I get inspired by the mood of the subjects in photographs, the contrast, and the angles at which they are taken, to tell that story in my own way,” she says .

Rawlins is currently working on a series that strays away from her usual portraits of people: she’s turned her focus to animals.

“I love the magic and the beauty of the animals in the wild like the lions and the giraffe,” she says. “The theme will be the title of soca songs … the one that I started is of elephants and the title is Stampede,” she explains.

Rawlins holding her painting of Andre 3000, an artist, musician and actor (CanCulture/Madi Wong).

Rawlins holding her painting of Andre 3000, an artist, musician and actor (CanCulture/Madi Wong).

Growing up

Rawlins found her passion for art as a teenager. While attending high school in Scarborough, Ont., she decided to pursue art as a career.

“I realized work was like a job if you didn’t enjoy it. But if you do enjoy it, it’s more like a feeling of accomplishment,” she says.

This decision led her to take a two year digital media arts program at Seneca College, where she was able to learn different artistic techniques, figure drawing, and even to sketch with her non-dominant hand.

Creative Beginnings

“It’s just in me to be an artist, by nature,” she says.

“I have always loved to draw, and from that came a love for painting. I love to see how a concept that I imagine turns out in real life. I also love seeing the ways that different artists interpret the same general idea. I love to see shapes, line work, and colours move and vibrate to draw you in, remind you of something, or make you feel a certain way.”

Michael Jackson and Mos Def, artist and actor (CanCulture/Madi Wong)

Michael Jackson and Mos Def, artist and actor (CanCulture/Madi Wong)

On labels

Though she doesn’t care for labels, Rawlins says, “I do identify as a black woman artist. I am an artist who is black, [and] a woman of West Indian heritage, and loves music. And all of those things contribute to and show up in how I am inspired and tell my story artistically,” Rawlins says.

Artistic journey

Rawlins’ first big show was in 2010 for the “From the Soul” exhibit at the Royal Ontario Museum in Toronto. Rawlins created a unique set of three paintings that portrayed the same woman wearing headphones. Each of the three paintings portrayed a different emotion.

 

BlameItOnTheBoogie-1.jpg
Rawlins’ ‘From the Soul’ set, (from left to right) ‘Blame It On The Boogie,’ ‘Rhythms In The Sun,’ and ‘Innervisions: Songs Of Freedom.’ (via http://www.rachelnatalie.ca/paintings)

Rawlins’ ‘From the Soul’ set, (from left to right) ‘Blame It On The Boogie,’ ‘Rhythms In The Sun,’ and ‘Innervisions: Songs Of Freedom.’ (via http://www.rachelnatalie.ca/paintings)

InnervisionsSongsOfFreedom-1.jpg

She has participated in multiple art shows and galleries where she showcases her pieces alongside of other artists.

“I love the feeling of accomplishment after I have completed a piece … and that other people also love and want my work,” she says.

In the past, Rawlins has also given back to the community by teaching art classes for kids. She believes that arts are very important in learning, especially for young children.

Her work is promoted online and on social media, as well as online sites such as Fine Art America that have enabled her to sell her pieces as mini prints and other accessories.

Rawlins’ painting of singer-songwriter Erykah Badu  (CanCulture/Madi Wong)

Rawlins’ painting of singer-songwriter Erykah Badu  (CanCulture/Madi Wong)

Painting of pianist Chloe Flower (CanCulture/Madi Wong)

Painting of pianist Chloe Flower (CanCulture/Madi Wong)

The best part

Rawlins’ favourite part about her work is seeing and feeling a piece come together.

“I always begin with black. And once the black is there I am more excited to continue, adding other colours and, in some cases, building texture. I also love stepping back and looking at my progress before I fill in the background of a piece,” she explains, “Depending on what my subject is at the time, it can look as though it will walk right off of the canvas.”

This piece was edited by Jacklyn Gilmor.