Join the march with Rufus John — The Freedom Marching Project: EP review

Led by Rufus John, United Artists 4 Change released a powerful EP titled “The Freedom Marching Project”

By: Bashair Ali

United Artists 4 Change, Inc., marketed by Urban X Entertainment, a division of TuneCore, Inc., 2022 (via YouTube)

Over the course of 18 months, Rufus John and a team of incredibly talented Black and racialized artists, musicians and producers around Canada took part in the creation of The Freedom Marching Project — a three-song EP that allows its listeners to get informed, stay connected and join the march. 

The music videos of parts one and two were released earlier this month, which incorporated visuals of police brutality, racial injustices and BLM protests. 

At first, the EP was intended only for John, but then his team challenged themselves to contact as many people as possible and find out how many artists in their community would be interested in contributing. Soon enough, the choir, his friends from the community and even people who did not know him became involved. 

"I found space for everyone to participate and didn't reject anyone," says John.  

John uses the art of singing and songwriting to express the message that racism still exists, hoping that people will respond to the issue through donations, voting or simply just seeking out knowledge. 

The recurring theme throughout the EP is honesty. John wants his viewers and listeners to be able to resonate with the lyrics and illustrations by portraying similar experiences and being vulnerable. "If you have a story about this topic, then there are probably hundreds of other Black [people] that have experienced the same thing," says John. 

Freedom Marching part one introduces characters of different ages, races and classes. Its main plot centres around a protest sparked by unjust treatment towards a 14-year-old boy who was unlawfully detained. Part two shows us how and why the young boy's arrest occurred. 

"The whole point of this platform is to use art, activism and education to spark people to get into this fight," says John. 

Both music videos feature the personal stories and feelings John encountered at one point in his life. The only difference was that he lacked the tools to combat discrimination, such as approaching his community for help. Instead, he bottled everything up and never repeated it, up until his vision for the music videos came about.

"I was angry when I was younger, and as I got older, I learned that there are people that are here for you," he notes. 

So in creating the EP, along with a resourceful website that contains relevant resources and information for those interested in learning more about #JoinTheMarch, he strived for Black individuals to use the project to help them navigate their lives.

“If you have something you can stand on and people are watching and listening, say something,” says John. He feels that his role in society is to be of service and the way he contributes to it is through his music. 

John's technique for creating music is not the only factor that leaves his listeners in awe; it's what he writes about that has the ability to connect with people like him. "I'm the bridge between the young and old, the catalyst for change, the kid next door, and I approach all my music that way." 

The Freedom Marching Project carries a selection of songs that takes a whole new step into advocating for equity, access, diversity, inclusion and participation of Black and other underrepresented communities. Through his work, John presents his expression of art in an effort to create social change and challenge anti-Black institutions and ideologies.

KAYTRANADA drops new EP after nearly 2-year gap

“Intimidated” is the Montreal-based artist’s latest release since his 2019 award-winning album, “BUBBA” 

By: Kinza Zafar

The album cover for KAYTRANADA’s EP Intimidated

KAYTRANADA’s newest EP masterfully showcases his dynamic range and capabilities as a producer and DJ. Despite consisting of only three tracks, each one possesses its own distinct sound. 

The first track, “Intimidated,” is melodic and upbeat, a perfect marriage between the soft, floating voice of American R&B singer, H.E.R., and KAYTRANADA’s soulful piano chord progressions. The fellow Grammy award winner and multi-talented creator, Thundercat, continues the funky, lo-fi vibe on “Be Careful.” The groovy track with a punchy bassline and crisp hi-hats provides a vibrant atmosphere for Thundercat’s signature falsetto vocals to shine and is even complete with vinyl crackling.

A  Haitian duo unites on the last track featuring Mach-Hommy, making for a powerful cap on the project. Even while switching it up on a dance beat, Mach-Hommy sounds just as comfortable as he was on his own album Pray for Haiti, one of hip hop’s best releases of the year. 

The song encompasses similar concepts of Haitian identity and liberation — something that has been at the forefront of his entire career as one of hip hop’s greatest underground rappers the past decade. This is especially prevalent in his hook where he references someone telling him to “take the ‘R’ out” of  “pray for haiti,” which spells the single’s title, “$payforhaiti.” 

By the end of the EP’s nine minute runtime, it’s clear that the genre-bending KAYTRANADA has delivered another fresh project for folks to dance their way out of the pandemic. 

His diversity as a producer is on full display on Intimidated, as his chemistry with his friends makes for an entertaining listen, no matter how short. 

After the release, the Haitian-Canadian artist took his gratitude to Twitter. “Really blessed to work w/ amazing vocalists. Most of my beats can’t simply be instrumentals so to be where I am now, would’ve been nothing without them or maybe different,” he tweeted to his almost half a million followers. 

H.E.R. also tweeted at him about the project, writing “thank you for allowing me to be a part.” Thundercat also replied to a shoutout, “love you Kaytra!”

KAYTRANADA’s 2019 album, BUBBA, earned him a Grammy award for the Best Dance/Electronic Album category, while his single on the same record, “10%” with Kali Uchis, won Best Dance Recording at the 63rd Annual Grammy Awards. Similarly, the album also received a Juno award for Dance Recording of the Year. As hinted on Twitter, KAYTRANADA is rumoured to have a mixtape awaiting release; Intimidated is just a teaser of what KAYTRANADA has in store.

Torontonians will have the chance to experience the 29-year-old perform two nights in a row on Dec. 29 and 30 at History. 

RUSSELL! claims his spot in Toronto’s hip hop scene with 'boy lonely'

A consistent presence in Toronto, RUSSELL! shows his versatility with his newest album

By Severina Chu

With the release of boy lonely, RUSSELL! is cementing his place in Toronto’s hip hop scene.

Photo: russellislovely on Instagram, album art by imsum.png

One word to describe RUSSELL!’s journey is growth. Russell Llantino started out by posting videos on YouTube while living in Brampton, ON. In the prime time of Internet scouting, he caught the attention of a record label and decided to turn music from a hobby into a career. Going by D-Pryde, it seemed like he had the potential to reach the top.

However, multiple setbacks would put a pause on his plans. With the death of his mother and a falling out with his record label, Llantino needed to recuperate. Deciding to switch aliases, RUSSELL! and a new era of music was born.

RUSSELL! has been putting out music consistently for the past few years, and boy lonely is the newest addition to his discography.

The album features a multitude of Canadian talent, including a feature from Vietnamese-Canadian hip hop artist Dao Kahn on “FISH & CHIPS,” and production by Toronto-based producer Kyle “K-beatZ” Abacan. A close friend of his, Abacan is one of RUSSELL’s main producers and has credits on many of his past projects. 

 Admittedly, the album has an underwhelming start. “OLÉ,” while easy listening, sounds generic and doesn’t leave you expecting much. However, give the rest of the album a chance and you’ll be pulled in by RUSSELL!’s versatility.

 “Respec & Protec,” the album’s second track, is loud and unapologetic. “Just mad violence and heavy snares while I talked my shit,” RUSSELL! said about the track on Twitter.

Video: RUSSELL on YouTube

Followed by “Headtop,” “The Cook Up,” and “FISH & CHIPS,” RUSSELL!’s smooth flow over his hard beats are what we crave after that underwhelming intro.

By “LOVERBOY’S RETURN,” the album starts to switch its tone. A reference to his 2017 EP Loverboy this track introduces what makes RUSSELL! special. His ability to opt for a softer rap delivery and mix it with vocal melody makes for more relaxed energy, which is reflected in “’86 Buick” and “Roll Another One!” While both showcase RUSSELL!’s singing voice, the tracks also emphasize how naturally he can weave in a rap verse and showcase the more mellow side of hip hop.

The last two tracks of the album have a noticeably more vulnerable vibe. “Sucker” is reminiscent of the ever so popular lo-fi hip hop study playlists taking over social media. In fact, the lyric video for the track is seemingly a nod to the trend. “u won’t hear this anyway” ends the album on an emotional note, with RUSSELL! reflecting on his journey.

 RUSSELL! is starting 2020 off with a solid body of work. There’s been a growing presence of Southeast-Asian artists in hip hop, such as Filipino-Canadian duo Manila Grey and Indonesian rapper Rich Brian. Being of Filipino and Spanish descent, RUSSELL! is making a name for himself as he provides that much needed representation in Toronto.