Mustafa: From Regent Park to global recognition

Mustafa’s album is a love letter to anyone who has experienced loss

By: Sania Ali

Mustafathepoet/Instagram

Mustafa Ahmed, better known as Mustafa the Poet, is no stranger to garnering attention for his writing. 

At the age of 12, Mustafa's poem “A Single Rose” heartbreakingly encapsulated the inequality and injustices faced in Africa and his home in Regent Park, Toronto — one of Canada's oldest and largest housing projects. The poem received a standing ovation at the Hot Docs film festival, his teacher at the time having trouble believing that a seventh-grader had written the moving poem. 

"Remember, last year I was 11, and I'm not 7. Don't let me be the single rose in this run-down park," his poem reads.

Since then, Mustafa continued to write. Now 25, he has songwriting credits for Camilla Cabello, Justin Bieber, SAFE and The Weeknd, to name a few. The songs he co-writes often dabble in the topic of unrequited love, but Mustafa's works continue to highlight gun violence, community and loss. In 2016, he was appointed by Prime Minister Justin Trudeau's youth advisory council to convey policies and issues that are important to youth. 

Although Mustafa immersed himself into the music industry early on, he had trouble releasing his works.

"I thought it would be easy. I can sing, I can write poetry, I can create a melody. So why can't I bring it all together?" he told GQ.

Mustafa's poetry extended into folk music, a genre that didn't commonly represent Black Muslim artists.

Aqsa Hassan, a second-year early childhood studies student at X University, became familiar with Mustafa's work when she picked up his vocals on The Weeknd's song "Attention." 

As a Muslim person of colour, Hassan views Mustafa's work as a reminder that God is always there. 

"Muslim artists to look up to is rare and when I discovered him, that is the main thing that appealed to me," she says. "How open he was and still is about Islam and the struggle to maintain your faith." 

Hassan says that Mustafa is a huge inspiration, and his work is relatable, giving her hope that she'll be able to greater connect with God one day.

Growing up in Regent Park, Mustafa co-founded the hip-hop group Halal Gang alongside musicians and friends Puffy L'z, SAFE, and Smoke Dawg — the inspiration behind Mustafa's debut album When Smoke Rises, dedicated to Smoke Dawg, who was shot dead in 2018. 

He tells GQ, "The loss was perhaps preventing me from exploring any other experiences. I wanted to honour my friends' passing and examine their transition with beauty. There's peace in that." 

The eight songs on the album are heartbreakingly raw and personal, not only paying tribute to the friends who passed but allowing the audience to experience the rush and stages of grief. 

“What About Heaven” tragically explores the rush of emotions when losing a loved one. The repetition of "What about heaven?" allows listeners to reflect on the transition of death and feelings of grief. 

Hassan shared that the recent death of a family friend was her first experience with grief. The song “What About Heaven” hit extremely close to home.

"The repeating lyric, "what about heaven?" hit me so close to home, as I always wonder, is God merciful enough that He will grant him Jannat? (Heaven)," says Hassan. 

The song is also a favourite of Mehreen Shami, a fourth-year honours social psychology student at McMaster University. 

Shami explains that it's a wake-up call to her, a reminder to detach from the world and remember what's truly important in life. 

"He's speaking from collective pain. Societies that face violence or gun violence or even communities in other parts of the world face disproportionate amounts of violence or suffering that isn't any of their faults," said Shami.

According to Shami, Mustafa's music unites individuals from all walks of life, not just Muslims. She says that teenagers are susceptible to peer pressure, but role models like Mustafa inspire youth through relatable work.

"It's like an older brother speaking to you," she says. "He speaks about losing a friend, drifting from his religion, and finding hope in it."

What differentiates Mustafa, Shami says, is that he wears the pain and vulnerability of his experiences on his sleeve through his music; his identity is apparent through his persona. His staple thobe seen in his live performances and public appearances represents humility to Shami, who believes the normalization of the Muslim faith is more important now than ever. 

For Mustafa to reject the mainstream and stay true to his roots is inspiring, says Shami.

"It's noteworthy that we have this kind of representation that isn't biased — he's unapologetically himself," she says. 

Shami believes the biggest takeaway from this album is to take pride in your identity and detach yourself from the validation that temporary people can give you. 

“The Hearse” covers strong feelings of revenge. Mustafa tells Genius he wrote the song after feeling vengeful, shortly after burying one of his friends. 

"I can't choose right or wrong, right or wrong," he sings throughout the track. 

He explains that living in the hood isn't all black and white, and it's often difficult to reflect righteousness when living in an inherently corrupt system. “The Hearse” was about obsessing over people you hate rather than remembering people you love who are alive and present. 

Mustafa's debut hometown show in December at Massey Hall wasn't easy to pull off. He later shared on his Instagram stories that he wore a bulletproof vest on stage for safety. Security was tight at the venue, and bag checks were thorough. The crowd was riddled with the Regent Park community, including the families of Smoke Dawg and Ali Rizeig, both friends of Mustafa who inspired his songs. 

"It was a sense of collective healing," said Shami. "He made it out in such a noble way where he didn't give up any of his norms, any of his values." 

Although Hassan could not attend Mustafa's concert, she believes he makes Toronto proud, commending his decision to keep the Massey Hall bar closed during his performance to stay true to his Islamic principles. 

"He has also shown that his faith is his work, and without it, his work does not have that essence. It makes people accept him for who he is," says Hassan. 

His work touched the hearts of those around the world. The album was shortlisted for the Polaris Music Prize and garnered the attention of The New Yorker, GQ, Complex and The New York Times. 

Mustafa continues to affect the world through the expression of his grief and his pain. Mustafa's album is a love letter to anyone who has experienced loss, literally and figuratively. It's conveyed differently to every individual. 

The biggest impact Mustafa has had, however, is right at home. 

"He will inspire youth who have experienced grief, and others who grow up in the hood, that they are capable of reaching the stars," Hassan says. 

The top 10 Canadian albums of 2021

2021 was an exceptional year for Canadian music — here are my picks for the 10 best albums of the year from Canadian artists 

By: Isaac Fontes

2021 was a year full of ups and downs, as COVID-19 continued to plague all of our lives for yet another year. One thing that always helps me to stay sane is music, and I know I’m not alone in that sentiment. I was able to listen to a lot of albums this past year — many of which were created by Canadian artists.

Our representation in the music industry remained notable, as some of our biggest stars continued to dominate the airwaves with hits like Justin Bieber’s “Peaches” and Alessia Cara’s “Sweet Dreams.” However, some of the best Canadian music to come out this year was from some lesser-known artists. Edmonton-born Cadence Weapon took home the 2021 Polaris Music Prize for his political album, Parallel World, artists like Rochelle Jordan and Chiiild continued to shine in their respective lanes, and artists like Charlotte Day Wilson and Mustafa dropped their impressive debut albums. Here are my picks for the top 10 Canadian albums of 2021.

10. Certified Lover Boy — Drake

OVO, under exclusive license to Republic Records, a division of UMG Recordings, Inc., 2021

Drake’s highly-anticipated sixth studio album, Certified Lover Boy, wasn’t generally well-received upon its release in the early morning hours on Sept. 3. After months of delaying its completion, the hype for CLB was bigger than ever, especially after the release of Scary Hours 2, a 3-song EP that perfectly encapsulated Drake’s versatility as an artist. It seemed as though his legacy was on the line — his last universally loved project was 2015’s If You’re Reading This It’s Too Late. With that being said, Drake is at the point in his career where he’s so big that music critics and fans alike can’t help but look for flaws in his newest releases, which are certainly present on CLB. The tracklist is bloated and it does contain its fair share of rather corny moments (“Girls Want Girls.”)

But now that the hype has settled and we’ve had a few months to sit with the album, it’s time to admit that it’s a very solid offering from Canada’s biggest superstar, over a decade into his career. It was a safe and calculated release, sure — the main critique of the album being its lack of risk-taking, but he followed a similar formula as past albums, which has historically worked for him. All in all, CLB has all of the elements of classic Drake; hits (“Way 2 Sexy”), an introspective intro (“Champagne Poetry), underrated R&B cuts (“Pipe Down,” “N 2 Deep,” “Get Along Better”), and great bars (“7am On Bridle Path,” “You Only Live Twice”).

9. soft thing — LOONY

LOONY, 2021

Scarborough’s own LOONY is one of Canada’s best emerging voices. soft thing serves as her impressive debut project, showcasing her soothing voice and relatable lyrics. soft thing’s eight track, 24-minute runtime makes for an easy listening experience; her soulful vocals take listeners on a ride through candid relationship struggles and vulnerability. LOONY starts the project off being afraid of letting her guard down (“beg”) to accepting love (or lust) by the album’s close; “I could recognize you in a faceless place,” she gently sings on the outro. LOONY is candid, honest and relatable, as she shines on her second full-length release of her career.

8. TAO — Shad

Shad under exclusive license to Secret City Records Inc., 2021

If you’re a Canadian hip-hop fan, you know that Shad is one of our country’s greatest emcees. 16 years into his career as a rapper, he returned with his first album in three years. The album’s title, TAO, translates to “the way” in Chinese and also serves as an acronym for “the abolition of,” a nod to the C.S. Lewis book The Abolition of Man. “Each song on the album is about a different part (or parts) of our humanity/humanness we’ve slowly been losing touch with,” Shad wrote on the album’s Bandcamp page. Standout tracks like “GOD,” “Work” and “Black Averageness” are both thought-provoking and riveting. The entire album showcases Shad’s mature lyrical ability, as he further cements himself as one of the best Canadian rappers to ever touch a mic. 

7. Hope for Sale — Chiiild

Avant Garden/4th & Broadway (UMG Recordings, Inc.), 2021

Montreal-based band Chiiild’s 2021 album, Hope for Sale, is their second project in as many years. Throughout the album, they continue to be a genre-bending band, as they effectively blend elements of pop, indie, R&B and soul. On “Awake,” one of the project’s standouts, they link up with British Jamaican R&B singer Mahalia for a smooth, sensual track. A psychedelic instrumental, “13 Months of Sunshine,” serves as an interlude that’s perfectly placed in the middle of the album; breaking up the listening experience, and merging the band’s musical influences. xSDTRK’s calming vocals blend with the mostly upbeat production throughout the entirety of the album for a wonderfully balanced listen. 

6. Play With the Changes — Rochelle Jordan

Royal Mountain Records, 2021

Toronto’s Rochelle Jordan took a nearly seven-year hiatus from music, only releasing a few singles between 2014 and 2020. She returned this year with her first full-length release since 2014, with her familiar yet refreshing style of R&B. Simply put, Play With the Changes is 12 tracks of polished, moody and eclectic R&B music. The electronic-inspired production provides the perfect atmosphere for Jordan to shine through her silky vocals. The album opens with “LOVE U GOOD,” on which she connects with a lover on a personal level; “I know what you feel, so misunderstood / I know what you feel, when no one could.” The production will make you dance and her voice will make you melt — it’s a must-listen for any R&B fan. 

5. Parallel World — Cadence Weapon

eOne Music, 2021

Each year, the Polaris Music Prize is awarded to the best Canadian album of the year “based on artistic merit without regard to genre, sales history or label affirmation.” In 2021, the prize deservingly went to Cadence Weapon for the beautifully bold Parallel World. Political themes are at the forefront of the album, as he calls out politicians; “Mayor Tory doesn’t ride the bus / Or ride a bike or ride for us / So how can he understand what we want?“ Doug Ford is the target in the following bars on “Skyline” — “Ford Nation’s for the corporations / But he don’t care about the public / Whenever we ask for what we need / They say there’s no room in the budget.”

Weapon raps with immense purpose, as he uses his experiences as a Black Canadian to address themes of systemic racism, police profiling and even the internet’s evasiveness in our society. His lyrics are meaningful, his voice is powerful and the production is complex, experimenting with aspects of trap and grime, making for one of the year’s most powerful hip-hop releases.

4. I LIE HERE BURIED WITH MY RINGS AND MY DRESSES — Backxwash

Ugly Hag Records, 2021

On I LIE HERE BURIED, Backxwash unleashes her deepest thoughts and some of the most sincere rage you’ll ever hear. There are no boundaries in either her lyrics or the production she raps over. The album’s atmosphere and subject matter are dark, as she blends horrorcore, punk, metal and hip hop into her own unique sound. She raps and screams, on the verge of self-destruction, but there’s beauty in the madness. Her sometimes worrisome lyrics serve as her form of expressive rage, as she uses her personal experiences as a transgender Black person to express her frustration with society’s norms and transphobia from people in her life. 

She forces listeners to enter her world. On “WAIL OF THE BANSHEE,” it feels as though we’re a fly on the wall as she struggles internally; “My mind’s stuck in a torture chamber, it’s locked and dangered / Coats and hangers, ropes that dangle for all to witness.” Through the noise, explosive vocals and distorted production is an artist wanting to be heard, yet it never feels as though she’s interested in shock value. I LIE HERE BURIED is simply one of the best examples of music being used as an expressive outlet by an artist.

3. Phoenix — Charlotte Cardin

Cult Nation, 2021

One of the most underrated pop albums of the year belongs to Montreal’s Charlotte Cardin. The album begins with the title track, “Phoenix,” on which she immediately reinvents herself; “You told me you love me / I said it back, I didn’t mean it / I had to burn everything that I was / Just to come back like a phoenix.” This sets up what is to follow, which is Cardin’s personal journey navigating through relationships and finding herself as a person. She addresses love and heartbreak in empowering ways, resulting in an album that not only demands your attention, but deserves it. She closes out the album in French with “Je Quitte,” an optimistic ending; “Je quitte / Mais je ne te quitte pas.”

2. ALPHA — Charlotte Day Wilson

Stone Woman Music, 2021

2021 was a big year for Charlotte Day Wilson. Her 2019 track “Mountains” was sampled on Drake and Travis Scott’s “Fair Trade” on CLB, and she finally released her debut album. She’s been making music since 2016; her first release on streaming services was “Work,” her most streamed song to date. Since then, she has consistently but quietly been one of Canada’s most talented artists, releasing singles and two EPs over the years. 

The rollout for ALPHA began in 2020, when she dropped the album’s first two singles, “Take Care of You” and “Summertime.” The album showcases Charlotte’s incredible songwriting abilities, touching on themes of longing, relationships and finding her identity as a queer person. On “If I Could,” she sings to her past self; “I’d bathe you / Wash you of the sins that plague you.” It was a long lead-up to the release of ALPHA, but well worth the wait. It’s clear that Charlotte is here to stay.

1. When Smoke Rises — Mustafa

Regent Park Songs, 2021

The cover of Mustafa’s debut album, When Smoke Rises, is a photo of him alongside his late friend and fellow Halal Gang member Smoke Dawg, who was tragically murdered in 2018. The album was made in his honour, and expresses themes of loss and grief. These are themes that are all too familiar to Mustafa and his artistic expressions, dating back to his spoken word poems under the name Mustafa the Poet. In 2019, he directed “Remember Me, Toronto,” a film featuring artists from different neighbourhoods in Toronto talking about violence in the city and how they want to be remembered. Drake was even featured in the film, helping to highlight the Toronto hip-hop scene and the severity of the city’s violence. Mustafa’s message has always been the same, and he has always used his platform to educate and unite. 

On his debut solo project, he expresses his pain from losing friends to senseless violence, seamlessly transitioning his delivery from spoken word to singing. On the album’s opener, “Stay Alive,” he addresses his community in a sincerely heartwarming way; “Just put down that bottle, tell me your sorrows / I care about you, fam.” The album’s production is minimal, allowing for Mustafa’s struggles of dealing with violence to take centre stage; “I’m too young to feel this pain,” he sings on “Seperate.” When Smoke Rises was not only one of the best releases of 2021, but also one of the most impressive debuts in recent memory. His lyrics will stick with you — he makes it abundantly clear that he’ll do everything in his power to keep his brothers’ names alive; “I’ll be your empire.”

Which Canadian artists made our 2021 Spotify Wrapped?

CanCulture team members share the Canadian artists on their year-end Spotify Wrapped

(Sara Kurfeß/Unsplash)

The most exciting part of the year for Spotify users all around the world is in December, when Spotify Wrapped is released. Since 2016, the streaming platform has shown listeners what their year looked like in terms of their listening habits. 

Especially after another year of COVID-19 restrictions, it was interesting to see what and who we had on repeat throughout the year. At CanCulture, of course, there were many Canadian artists who made it into our team members’ Spotify Wrapped. Check out the unique Canadian artists that we spent a lot of time listening to this year!

Jon Bryant

A Canadian artist who hit number two on my 2021 Spotify Wrapped is alternative singer-songwriter Jon Bryant. I first discovered him in 2015 and he has appeared on my Spotify Wrapped every year since. Based in Vancouver, Bryant has covered every genre from folk to pop to rock to alternative and everywhere in between. His newer acoustic songs are equally balanced by his later, more heavily produced music, meaning that he has a song for every taste. However, what draws me to his music the most is his authentic and meaningful lyrics. I hope to see him on my Spotify Wrapped next year and the year after that!

- Olivia Wiens, Arts & Books Editor

“Come Back” by Mustafa

At the beginning of this year, I vowed to do everything I could to get out of the funk of 2020, so I listened to a lot of upbeat music to try and ring in the good times. That was reflected in my Wrapped 2021 playlist with a lot of Afrobeat and Afro House appearing on my top songs of the year. But one song stood out to me: “Come Back” by Mustafa. 

The song just didn’t fit into the rest of the playlist and I had to think long and hard as to why I listened to it so often. It actually makes a lot of sense. I recently went through a lot of profound changes, and was aware that a chapter in my life was coming to a close and I would never experience it again. It’s around that time that I would listen to the song incessantly because it expressed my own feelings better than I ever could.

The song is poetic, simple, beautiful, tragic and I’d go as far as to say, magical. It only has one verse, with eight lines, and the production is also very economical. The production by James Blake and Toronto’s very own Frank Dukes leaves a lot of room for Mustafa’s enchanting voice to lure us into a sort of magical realm. His delivery is soulful, measured and combines perfectly with his lyrics, which read more like a poem rather than a conventional song. There are two parts that always get to me: when he sings “I miss not knowin’ I was poor,” which speaks of a loss of innocence, and a longing for the days where maybe ignorance was bliss. But the line that really does it for me is when he implores “Please come back/ At least in my dreams.” He first delivers these lines during a quiet moment in the song, just before we hit the emotional climax of the journey he takes us on. Right when he delivers those lines, the looping production comes back and delivers a real moment of catharsis.

The song has the quality of most great songs, that it feels incredibly personal to the artist singing it, but it can also speak to so many people going through a variety of things. The song was written as an ode to his friend, fellow Torontonian and musician, Smoke Dawg, who was tragically killed in 2018 in Toronto. This only adds to the beauty of the song, but also serves as a testament to Mustafa’s artistry, in that as a listener, I’m able to use these very poignant and personal lyrics to reflect on what I may be going through.

The song and the rest of his debut album, When Smoke Rises, explore grief and the acceptance of it. “I created a project that’s exploring a sorrow that you don’t have to interrupt, a sorrow that can be made to feel beautiful, elegant and hopefully honour whoever was lost,” Mustafa told The Guardian. That’s something we can all learn from. I’m happy it was part of my year. It’s a reminder that loss is a part of life, and there’s actually beauty in that.

- Nganji Kimonyo, Contributing Writer

Drake & The Weeknd

In my top five artist list from my Spotify Wrapped this year, I had two Canadians. Neither of them is a surprise, considering they're two of my favourite artists. They were Drake, who was at number one, and The Weeknd, who was at number five. Drake dropped his long-awaited sixth studio album, Certified Lover Boy, a couple of days before my birthday, so I definitely had that album streaming nonstop. When it comes to his music overall, I’m always playing his songs, no matter my mood or where I am. He just makes music that everyone can listen to at all times of the day and that’s why I listened to him so much. The same goes for The Weeknd’s music as well.

- Bana Yirgalem, Contributing Writer