Ranking Drake’s discography

Full of both highs and lows, the Toronto superstar’s catalogue is unlike any other

By: Adriana Forestieri

Drake performing at a Bun B concert at The Sound Academy in Toronto in 2011. (thecomeupshow/WikiMedia Commons)

As Billboard’s Artist of the Decade and the most-streamed artist of all time, Drake, a crown jewel of Toronto’s music scene, has come a long way since his first studio album. His growth as an artist has really been unmatched. 

With Drake's diverse set of skills allowing him to cover a broad range of genres throughout his career, and his ability to seamlessly switch between his R&B and hip-hop voice, there is no doubt that he has earned the titles he’s been awarded. 

Six studio albums and seven mixtapes later, Drake is one of the biggest superstars the world has ever seen and continues to dominate the charts. In the process, he’s created a discography like no other (with inevitable ebbs and flows, of course) — and CanCulture is here to rank them.

1. Take Care (2011)

Released in November of 2011, Take Care was Drake’s second studio album and went on to change the relationship between hip-hop and R&B music for the remainder of the decade. 

With his honest words and expressive emotions, Drake masterfully created a body of work with the perfect balance of rap and R&B tracks that inspired a generation of artists — making it difficult to rank this album anywhere other than number one. 

The majority of the album’s songs were carefully crafted alongside his long-time partner and producer, Noah “40” Shebib, who has sonically made great contributions to Drake’s career, often providing him with the perfect production to express himself over. With songs like “Look What You’ve Done,” a tribute to Drake’s family, and “Marvins Room,” the official heartbreak anthem of the 20th century, this album triumphs over all other Drake projects. 

Although this album was just the start of his career in the mainstream, it was able to influence those who listened until this day, with club favourites such as “Headlines,” “Crew Love” with The Weeknd, and an all-time classic, “Take Care” with Rihanna.

2. Nothing Was The Same (2013)

The most difficult part of arranging Drake’s albums from greatest to least was the dilemma between Nothing Was The Same and Take Care. It was a battle that I was fighting for days, but I finally decided that Nothing Was The Same would have to come in a close second. 

This album was Drake’s third studio album, containing the works of many talented artists, including features from his role model, JAY Z. This project is considered to be one of the most lyrical of his discography with a strong intro; “Tuscan Leather,” is a 6-minute song with no chorus or hook. This song truly sets the tone for the rest of the album, showing how Drake is able to change up his flows and showcase why he deserves his respect as a rapper. 

Some of the coldest songs of Drake’s career came off this one album; “All Me” and “Worst Behavior” give off a careless attitude. Following right after, the cold truths of relationships, love and self-growth show up throughout the tracklist; on “Too Much,” “From Time” and “Furthest Thing.” With its clever production — songs flow into one another tunefully — this album becomes one of Drake’s most cohesive bodies of work. After the release of his iconic album and its many playlist staples, as the fame started to set in, things truly never were the same for Drizzy.

3. If You’re Reading This It’s Too Late (2015)

Although Drake has been known for his emotional and “soft” side, we saw a complete shift with the release of his mixtape IYRTITL

Drake really brings out his inner God complex, starting off strong with the braggadocious track “Legend.” This album oozes confidence in every single track, making it hard not to be contagious. He talks mostly about his money and his relationships, addresses his haters, and how he truly is the “6 God.” 

At this point in his career, you can tell from his lyrics that he’s finally getting used to fame and becoming the ultimate version of himself. This album will always have a special place in my heart with the PARTYNEXTDOOR features, which have remained in my rotation to this day. With the aggressive flows and repetitive hooks, this mixtape is definitely worth the praise, as the more braggadocious side of Drake is on full display.

4. Views (2016)

Views serves as Drake’s fourth studio album, and was one of the most slept-on Drake projects in my opinion. Many argue that this album was not up to par with his previous studio albums, but those who argue this cannot come to appreciate the R&B potential Drake brings out on this project. 

The album showcases the talents of his label with features from PARTYNEXTDOOR, Majid Jordan, and dvsn, and brings sensitive topics of self-loathing, reflection and betrayal. Not only does Drake get in touch with his emotional side, but he also brings a taste of dancehall and Caribbean music with “One Dance,” “Too Good” and “Controlla.” I know many will argue with the placement of this album, but like Drake rapped on 2021’s “Wants and Needs” in reference to the album: “Come with a classic, they come around years later and say it's a sleeper.”

5. Care Package (2019)

Care Package is what I consider to be the time capsule of Drake’s music career. This compilation project has 17 songs that were previously leaked or released on Soundcloud and other underground streaming platforms between 2010 and 2016, bringing them to all streaming platforms under one project. Care Package is filled with old R&B samples such as songs and lyrics from Lauryn Hill, Destiny’s Child, and SWV. These are modern-day R&B staples, which further showcase how Drake can easily switch up his flows between rap and soul.

6. Certified Lover Boy (2021)

After the highly anticipated drop of Drake's sixth studio album, Certified Lover Boy, many Drake fans argued that Drake has “fallen off” and hasn’t been the same since the late 2000s, despite his aforementioned accolades. While it follows a similar formula to his past releases, this album truly proves that he has not lost his touch, but has only grown as an artist and creator. This 21-track album has the perfect mix of pop, rap and R&B, once again showing off all of his skills on one project. We see Drake's toxic and petty side with “Get Along Better” and “Pipe Down,” but also the side that is honest and emotional with songs like “Love All” and “The Remorse.” The main reason this is lower on my list is unlike most of his albums, this one is highly populated with features to a point where I feel it takes away from it being Drake's album himself.

7. More Life (2017)

More Life is a feature-packed project with appearances from many talented artists from across the globe. When this anticipated project dropped, everyone had assumed it was another album or mixtape, but Drake had other plans; he labelled it as  a playlist. 

Many argue that this project was a compilation of rejected songs from his fourth studio album, Views, which had many fans heated due to the assumed lack of effort that went into some of the tracks. Even if this was true, no one can deny Drake’s ability to create hits from rejects and throwaway ideas. I would rate this playlist seventh in Drake’s discography because although there are some sleepers on this album, many of my playlist staples came from this project; “Teenage Fever,” “Do Not Disturb,” and of course, the song of the summer, “Passionfruit.”

8. Scorpion (2018)

Scorpion is one of the most quintessential Drake albums, with 25 songs and very few features. We see the best of both worlds on this album, as Drake separates this project into two discs; Side A being entirely rap, while Side B is all R&B Drake. 

Compared to his other albums, I feel that this one lacked in quality due to the long tracklist with some songs that I find to be forgettable. Although he talks about the basic lifestyle we’ve come to associate with Drake, like dating multiple women at once, dealing with haters and getting used to his fame, this album is really structured around fatherhood. On the track “March 14,” he officially announced the birth of his son; “I wasn’t hiding my kid from the world, I was hiding the world from my kid.” This album had everyone on edge and curious about what goes on in Drake’s love life, taking away from the quality of the music.

9. Thank Me Later (2010)

Thank Me Later is Drake's debut studio album, filled with classics that are still on repeat to this day; timeless hits like “Over,” “Find Your Love” and “Up All Night” all came from this 2010 project and are what got his hit-making career kick-started. The only reason I would rate this album ninth out of all of his projects is compared to his other albums, I feel like he hadn’t quite reached his full potential yet. Drake has grown so much as an artist and finds sight in what is truly important in his more recent projects compared to his releases from the early 2010s.

10. So Far Gone (2009)

The release of this mixtape brought a new and different taste of R&B and hip-hop sounds, which ultimately set the stage for all other artists in these lanes following this release. Drake was seriously ridiculed for his emotional side on this project, as it wasn’t yet common in the hip-hop/rap community at the time. 

This being one of his earliest projects, Drake was still developing his music skills and it’s shown through some tracks that are rather repetitive. Don’t get me wrong, this album brought the amazing classic “Best I Ever Had,” but other tracks like “Houstatlantavegas” and “Little Bit” are hard to follow. Although he faced a lot of judgment from this deeply flawed mixtape, it showed that Drake was willing to take risks which ultimately brought him to where he is today.

 11. Dark Lane Demo Tapes (2020)

Coming in last, we have the Dark Lane Demo Tapes, which dropped in the early quarantine days of 2020, composed of a collection of unreleased demo tracks. This mixtape shows how strong of a grip Drake has on the music community, as he can drop what you may call “leftovers” from his studio sessions and still do numbers. I felt like this mixtape had less thought put into it overall, but did bring out some tracks that will be classics in a few years like “Chicago Freestyle” and the 2020 TikTok anthem, “Toosie Slide.”

The top 10 Canadian albums of 2021

2021 was an exceptional year for Canadian music — here are my picks for the 10 best albums of the year from Canadian artists 

By: Isaac Fontes

2021 was a year full of ups and downs, as COVID-19 continued to plague all of our lives for yet another year. One thing that always helps me to stay sane is music, and I know I’m not alone in that sentiment. I was able to listen to a lot of albums this past year — many of which were created by Canadian artists.

Our representation in the music industry remained notable, as some of our biggest stars continued to dominate the airwaves with hits like Justin Bieber’s “Peaches” and Alessia Cara’s “Sweet Dreams.” However, some of the best Canadian music to come out this year was from some lesser-known artists. Edmonton-born Cadence Weapon took home the 2021 Polaris Music Prize for his political album, Parallel World, artists like Rochelle Jordan and Chiiild continued to shine in their respective lanes, and artists like Charlotte Day Wilson and Mustafa dropped their impressive debut albums. Here are my picks for the top 10 Canadian albums of 2021.

10. Certified Lover Boy — Drake

OVO, under exclusive license to Republic Records, a division of UMG Recordings, Inc., 2021

Drake’s highly-anticipated sixth studio album, Certified Lover Boy, wasn’t generally well-received upon its release in the early morning hours on Sept. 3. After months of delaying its completion, the hype for CLB was bigger than ever, especially after the release of Scary Hours 2, a 3-song EP that perfectly encapsulated Drake’s versatility as an artist. It seemed as though his legacy was on the line — his last universally loved project was 2015’s If You’re Reading This It’s Too Late. With that being said, Drake is at the point in his career where he’s so big that music critics and fans alike can’t help but look for flaws in his newest releases, which are certainly present on CLB. The tracklist is bloated and it does contain its fair share of rather corny moments (“Girls Want Girls.”)

But now that the hype has settled and we’ve had a few months to sit with the album, it’s time to admit that it’s a very solid offering from Canada’s biggest superstar, over a decade into his career. It was a safe and calculated release, sure — the main critique of the album being its lack of risk-taking, but he followed a similar formula as past albums, which has historically worked for him. All in all, CLB has all of the elements of classic Drake; hits (“Way 2 Sexy”), an introspective intro (“Champagne Poetry), underrated R&B cuts (“Pipe Down,” “N 2 Deep,” “Get Along Better”), and great bars (“7am On Bridle Path,” “You Only Live Twice”).

9. soft thing — LOONY

LOONY, 2021

Scarborough’s own LOONY is one of Canada’s best emerging voices. soft thing serves as her impressive debut project, showcasing her soothing voice and relatable lyrics. soft thing’s eight track, 24-minute runtime makes for an easy listening experience; her soulful vocals take listeners on a ride through candid relationship struggles and vulnerability. LOONY starts the project off being afraid of letting her guard down (“beg”) to accepting love (or lust) by the album’s close; “I could recognize you in a faceless place,” she gently sings on the outro. LOONY is candid, honest and relatable, as she shines on her second full-length release of her career.

8. TAO — Shad

Shad under exclusive license to Secret City Records Inc., 2021

If you’re a Canadian hip-hop fan, you know that Shad is one of our country’s greatest emcees. 16 years into his career as a rapper, he returned with his first album in three years. The album’s title, TAO, translates to “the way” in Chinese and also serves as an acronym for “the abolition of,” a nod to the C.S. Lewis book The Abolition of Man. “Each song on the album is about a different part (or parts) of our humanity/humanness we’ve slowly been losing touch with,” Shad wrote on the album’s Bandcamp page. Standout tracks like “GOD,” “Work” and “Black Averageness” are both thought-provoking and riveting. The entire album showcases Shad’s mature lyrical ability, as he further cements himself as one of the best Canadian rappers to ever touch a mic. 

7. Hope for Sale — Chiiild

Avant Garden/4th & Broadway (UMG Recordings, Inc.), 2021

Montreal-based band Chiiild’s 2021 album, Hope for Sale, is their second project in as many years. Throughout the album, they continue to be a genre-bending band, as they effectively blend elements of pop, indie, R&B and soul. On “Awake,” one of the project’s standouts, they link up with British Jamaican R&B singer Mahalia for a smooth, sensual track. A psychedelic instrumental, “13 Months of Sunshine,” serves as an interlude that’s perfectly placed in the middle of the album; breaking up the listening experience, and merging the band’s musical influences. xSDTRK’s calming vocals blend with the mostly upbeat production throughout the entirety of the album for a wonderfully balanced listen. 

6. Play With the Changes — Rochelle Jordan

Royal Mountain Records, 2021

Toronto’s Rochelle Jordan took a nearly seven-year hiatus from music, only releasing a few singles between 2014 and 2020. She returned this year with her first full-length release since 2014, with her familiar yet refreshing style of R&B. Simply put, Play With the Changes is 12 tracks of polished, moody and eclectic R&B music. The electronic-inspired production provides the perfect atmosphere for Jordan to shine through her silky vocals. The album opens with “LOVE U GOOD,” on which she connects with a lover on a personal level; “I know what you feel, so misunderstood / I know what you feel, when no one could.” The production will make you dance and her voice will make you melt — it’s a must-listen for any R&B fan. 

5. Parallel World — Cadence Weapon

eOne Music, 2021

Each year, the Polaris Music Prize is awarded to the best Canadian album of the year “based on artistic merit without regard to genre, sales history or label affirmation.” In 2021, the prize deservingly went to Cadence Weapon for the beautifully bold Parallel World. Political themes are at the forefront of the album, as he calls out politicians; “Mayor Tory doesn’t ride the bus / Or ride a bike or ride for us / So how can he understand what we want?“ Doug Ford is the target in the following bars on “Skyline” — “Ford Nation’s for the corporations / But he don’t care about the public / Whenever we ask for what we need / They say there’s no room in the budget.”

Weapon raps with immense purpose, as he uses his experiences as a Black Canadian to address themes of systemic racism, police profiling and even the internet’s evasiveness in our society. His lyrics are meaningful, his voice is powerful and the production is complex, experimenting with aspects of trap and grime, making for one of the year’s most powerful hip-hop releases.

4. I LIE HERE BURIED WITH MY RINGS AND MY DRESSES — Backxwash

Ugly Hag Records, 2021

On I LIE HERE BURIED, Backxwash unleashes her deepest thoughts and some of the most sincere rage you’ll ever hear. There are no boundaries in either her lyrics or the production she raps over. The album’s atmosphere and subject matter are dark, as she blends horrorcore, punk, metal and hip hop into her own unique sound. She raps and screams, on the verge of self-destruction, but there’s beauty in the madness. Her sometimes worrisome lyrics serve as her form of expressive rage, as she uses her personal experiences as a transgender Black person to express her frustration with society’s norms and transphobia from people in her life. 

She forces listeners to enter her world. On “WAIL OF THE BANSHEE,” it feels as though we’re a fly on the wall as she struggles internally; “My mind’s stuck in a torture chamber, it’s locked and dangered / Coats and hangers, ropes that dangle for all to witness.” Through the noise, explosive vocals and distorted production is an artist wanting to be heard, yet it never feels as though she’s interested in shock value. I LIE HERE BURIED is simply one of the best examples of music being used as an expressive outlet by an artist.

3. Phoenix — Charlotte Cardin

Cult Nation, 2021

One of the most underrated pop albums of the year belongs to Montreal’s Charlotte Cardin. The album begins with the title track, “Phoenix,” on which she immediately reinvents herself; “You told me you love me / I said it back, I didn’t mean it / I had to burn everything that I was / Just to come back like a phoenix.” This sets up what is to follow, which is Cardin’s personal journey navigating through relationships and finding herself as a person. She addresses love and heartbreak in empowering ways, resulting in an album that not only demands your attention, but deserves it. She closes out the album in French with “Je Quitte,” an optimistic ending; “Je quitte / Mais je ne te quitte pas.”

2. ALPHA — Charlotte Day Wilson

Stone Woman Music, 2021

2021 was a big year for Charlotte Day Wilson. Her 2019 track “Mountains” was sampled on Drake and Travis Scott’s “Fair Trade” on CLB, and she finally released her debut album. She’s been making music since 2016; her first release on streaming services was “Work,” her most streamed song to date. Since then, she has consistently but quietly been one of Canada’s most talented artists, releasing singles and two EPs over the years. 

The rollout for ALPHA began in 2020, when she dropped the album’s first two singles, “Take Care of You” and “Summertime.” The album showcases Charlotte’s incredible songwriting abilities, touching on themes of longing, relationships and finding her identity as a queer person. On “If I Could,” she sings to her past self; “I’d bathe you / Wash you of the sins that plague you.” It was a long lead-up to the release of ALPHA, but well worth the wait. It’s clear that Charlotte is here to stay.

1. When Smoke Rises — Mustafa

Regent Park Songs, 2021

The cover of Mustafa’s debut album, When Smoke Rises, is a photo of him alongside his late friend and fellow Halal Gang member Smoke Dawg, who was tragically murdered in 2018. The album was made in his honour, and expresses themes of loss and grief. These are themes that are all too familiar to Mustafa and his artistic expressions, dating back to his spoken word poems under the name Mustafa the Poet. In 2019, he directed “Remember Me, Toronto,” a film featuring artists from different neighbourhoods in Toronto talking about violence in the city and how they want to be remembered. Drake was even featured in the film, helping to highlight the Toronto hip-hop scene and the severity of the city’s violence. Mustafa’s message has always been the same, and he has always used his platform to educate and unite. 

On his debut solo project, he expresses his pain from losing friends to senseless violence, seamlessly transitioning his delivery from spoken word to singing. On the album’s opener, “Stay Alive,” he addresses his community in a sincerely heartwarming way; “Just put down that bottle, tell me your sorrows / I care about you, fam.” The album’s production is minimal, allowing for Mustafa’s struggles of dealing with violence to take centre stage; “I’m too young to feel this pain,” he sings on “Seperate.” When Smoke Rises was not only one of the best releases of 2021, but also one of the most impressive debuts in recent memory. His lyrics will stick with you — he makes it abundantly clear that he’ll do everything in his power to keep his brothers’ names alive; “I’ll be your empire.”

Which Canadian artists made our 2021 Spotify Wrapped?

CanCulture team members share the Canadian artists on their year-end Spotify Wrapped

(Sara Kurfeß/Unsplash)

The most exciting part of the year for Spotify users all around the world is in December, when Spotify Wrapped is released. Since 2016, the streaming platform has shown listeners what their year looked like in terms of their listening habits. 

Especially after another year of COVID-19 restrictions, it was interesting to see what and who we had on repeat throughout the year. At CanCulture, of course, there were many Canadian artists who made it into our team members’ Spotify Wrapped. Check out the unique Canadian artists that we spent a lot of time listening to this year!

Jon Bryant

A Canadian artist who hit number two on my 2021 Spotify Wrapped is alternative singer-songwriter Jon Bryant. I first discovered him in 2015 and he has appeared on my Spotify Wrapped every year since. Based in Vancouver, Bryant has covered every genre from folk to pop to rock to alternative and everywhere in between. His newer acoustic songs are equally balanced by his later, more heavily produced music, meaning that he has a song for every taste. However, what draws me to his music the most is his authentic and meaningful lyrics. I hope to see him on my Spotify Wrapped next year and the year after that!

- Olivia Wiens, Arts & Books Editor

“Come Back” by Mustafa

At the beginning of this year, I vowed to do everything I could to get out of the funk of 2020, so I listened to a lot of upbeat music to try and ring in the good times. That was reflected in my Wrapped 2021 playlist with a lot of Afrobeat and Afro House appearing on my top songs of the year. But one song stood out to me: “Come Back” by Mustafa. 

The song just didn’t fit into the rest of the playlist and I had to think long and hard as to why I listened to it so often. It actually makes a lot of sense. I recently went through a lot of profound changes, and was aware that a chapter in my life was coming to a close and I would never experience it again. It’s around that time that I would listen to the song incessantly because it expressed my own feelings better than I ever could.

The song is poetic, simple, beautiful, tragic and I’d go as far as to say, magical. It only has one verse, with eight lines, and the production is also very economical. The production by James Blake and Toronto’s very own Frank Dukes leaves a lot of room for Mustafa’s enchanting voice to lure us into a sort of magical realm. His delivery is soulful, measured and combines perfectly with his lyrics, which read more like a poem rather than a conventional song. There are two parts that always get to me: when he sings “I miss not knowin’ I was poor,” which speaks of a loss of innocence, and a longing for the days where maybe ignorance was bliss. But the line that really does it for me is when he implores “Please come back/ At least in my dreams.” He first delivers these lines during a quiet moment in the song, just before we hit the emotional climax of the journey he takes us on. Right when he delivers those lines, the looping production comes back and delivers a real moment of catharsis.

The song has the quality of most great songs, that it feels incredibly personal to the artist singing it, but it can also speak to so many people going through a variety of things. The song was written as an ode to his friend, fellow Torontonian and musician, Smoke Dawg, who was tragically killed in 2018 in Toronto. This only adds to the beauty of the song, but also serves as a testament to Mustafa’s artistry, in that as a listener, I’m able to use these very poignant and personal lyrics to reflect on what I may be going through.

The song and the rest of his debut album, When Smoke Rises, explore grief and the acceptance of it. “I created a project that’s exploring a sorrow that you don’t have to interrupt, a sorrow that can be made to feel beautiful, elegant and hopefully honour whoever was lost,” Mustafa told The Guardian. That’s something we can all learn from. I’m happy it was part of my year. It’s a reminder that loss is a part of life, and there’s actually beauty in that.

- Nganji Kimonyo, Contributing Writer

Drake & The Weeknd

In my top five artist list from my Spotify Wrapped this year, I had two Canadians. Neither of them is a surprise, considering they're two of my favourite artists. They were Drake, who was at number one, and The Weeknd, who was at number five. Drake dropped his long-awaited sixth studio album, Certified Lover Boy, a couple of days before my birthday, so I definitely had that album streaming nonstop. When it comes to his music overall, I’m always playing his songs, no matter my mood or where I am. He just makes music that everyone can listen to at all times of the day and that’s why I listened to him so much. The same goes for The Weeknd’s music as well.

- Bana Yirgalem, Contributing Writer