The Beaches rock Massey Hall in sold-out hometown show

After “Blame Brett” went viral on TikTok, Toronto’s own indie rock band returns cooler than ever.

By Isabella Soares

Band playing on stage

The Beaches performing at Massey Hall on Nov. 1, 2023 (Isabella Soares/CanCulture)

The Beaches have come a long way from playing smaller venues such as The Opera House and The Danforth Music Hall. The band originally named Done With Dolls is now formed by sisters Jordan (vocals) and Kylie Miller (lead guitar, backing vocals), Leandra Earl (keyboards, guitar, backing vocals), and Eliza Enman-McDaniel (drums). The indie rock group has two Junos up their sleeves for Breakthrough Artist in 2018 and Rock Album of the Year in 2022. Although the two awards are major achievements, the successful turnaround of post-breakup anthem “Blame Brett” is their greatest accomplishment thus far. The lead single to the band’s latest album, Blame My Ex, has blown up on TikTok and has accumulated more than 21 million streams on Spotify, getting the attention of Nelly Furtado and the Jonas Brothers. After performing in the U.S., The Beaches returned to Toronto playing two sold-out shows at Massey Hall. 

The first of their two concerts had the band jamming on stage, exuding cool and carefree energy throughout their 20-song setlist. Like their catchy album, the indie-rock group seemed like they were in their comfort zone, playing for fans who have known them for more time than the rest of the world and with their family cheering in the crowd. 

As the cheeky banger “Kismet” began to play, Jordan Millerlet loose, dancing and playing around with her white sunglasses and silk dress. The song eased into a set that combined tracks from Blame My Ex and their early hits, including “T-Shirt” and “Desdemona.” 

Although all of the songs were engaging live, there were a few that stuck out as most crowd-pleasing. The first being “My Body ft. Your Lips”, featuring a guest appearance from Beach Weather's frontman Nick Santino singing and flirting with the lead singer on stage. The performance was chemistry-filled and had the audience blushing, almost forgetting that most of the follow-up anthems are about heartbreak and angst.

It is important to note that Santino had come on stage prior to the show with his band to open for The Beaches, which allowed the audience to familiarize themselves with Beach Weather’s groovy tunes before the electrifying duet.

 Kylie Miller and Earl playing their guitar riff for “Want What You Got” was another highlight. With their backs to each other, the two musicians took centre stage and grooved while Jordan played her bass near Enman-McDaniel’s drum set. At the end of the song, Jordan Miller even told the crowd, “It is so great to play in your hometown.” This particular track from the band’s earlier work showcased their signature sound, with catchy indie guitar parts and bold vocal delivery similar to bands like Franz Ferdinand. Despite their latest tunes still holding onto to the group’s sonoric style, they have adopted more of a pop approach with short verses and anthemic choruses. 

While there were a lot of rock’n’roll moments (with Earl even getting underwear thrown her way), there were also some intimate ones. A special shout out to the acoustic version of “If A Tree Falls”, a song off of their new album that was written with Valley's Karah James

Yet, nothing on the setlist prepared the audience for the enthusiasm that filled Massey Hall when “Blame Brett” began to play. Needless to say many people already had the song stuck in their heads throughout the summer, but getting to jump and scream the lyrics at a fan-filled concert was unmatched. 

The band left the stage after the lead single finished, but only for a few minutes until they returned for the encore. Even though the show would’ve already ended on a high note with “Blame Brett”, “Edge of the Earth” and “Money” were an additional treat.

After saying goodbye to the full venue, The Beaches left the crowd in high spirits on an otherwise wet Wednesday evening.

The Toronto band finished their Canadian tour leg on November 13 and will play several sold-out shows in Europe for the rest of the month. 

Canada’s top music video directors

The creators of your favourite visuals 

Photo: Jakob Owens/Unsplash

Photo: Jakob Owens/Unsplash

By Will Lofsky

Since the creation of YouTube, music videos have made artists’ careers. Canada has played a pivotal role in the rapidly changing mainstream visual marketplace. Here is a list of some of the top music video directors in Canada. 

One of Toronto’s most famous directors, Zac Facts, has worked with some of Canada’s hottest artists such as The Weeknd, Jessie Reyez, Tory Lanez, NAV, 88Glam, Belly and Sean Leon. 

Known for his dark and raw style, Facts has worked with Tory Lanez for most of his career, elevating his online presence before Lanez hit the global mainstream with one of his biggest records to date, “LUV.” 

The visual for the very catchy dancehall track captures the beauty of America’s deserts and the joy of rich house parties in mansions. With dark clouds, a plot where Lanez gets manipulated and left alone by the end of the video and beautiful car rides down open, winding roads, Facts’ approach to visual storytelling shines through and through. 

Video: Tory Lanez via YouTube

Facts’ visual treatment for Future’s hit record, “Low Life” featuring The Weeknd is mostly shot indoors in a grimy abandoned building with beautiful women and an antique piano with spotlights falling perfectly on the artists for an intimate up close and personal performance. 

Future’s classic aesthetic of dark sunglasses, designer bandanas and flooded chains and The Weeknd’s iconic haircut prior to his album, Starboy, truly capture a moment in time that can no longer be emulated. 

Video: Future via YouTube

Up-and-coming director, editor, and videographer, Marcus Letts, has worked with Anders, Ca$tro Guapo from CMDWN, Yung Tory, Dutch Revz, TRIPSIXX, and more. 

With a similar aesthetic to the work of Cole Bennett and Lonewolf, Letts has brought the new school highly edited, fast cut style to Toronto in a short period of time. 

Letts edited the Worldstar exclusive music video of one of Yung Tory’s biggest records, “Friends,” a remix of Marshmello and Anne-Marie’s global hit of the same name. Letts has worked on 16 of Tory’s released visuals since 2018 and also went on tour with him.

Video: WORLDSTARHIPHOP via YouTube

Toronto’s own Karena Evans, at only 24 years old, is becoming one of the most sought-after directors in the world. Evans worked on the music videos for Drake’s biggest singles off of his most recent studio full-length album, Scorpion.

The videos for “God’s Plan,” “In My Feelings,” and “Nice For What” have hundreds of millions of views, with “God’s Plan” leading the pack with over 1.1 billion streams. 

Evans’ visual treatments are rich and colourful which compliment the upbeat, positive three hit records. 

Each of the videos has a meticulously clear script, with “God’s Plan” showing Drake doing positive things for people in need, “Nice For What” paying homage to some of the most influential women in the world right now and “In My Feelings” pulling audiences into a comical love story full of quotable lines. 

Video: Drake via YouTube

Michael Maxxis is an Edmonton director that has worked with Alexisonfire, City and Colour, Kygo, Sum 41, Elle King, and Billy Talent. Maxxis’ music videos are all very aesthetically different. 

The visual for “Ex’s and Oh’s” by Elle King is bright, colourful, and full of life, while the picture for City and Colour’s record “Fragile Bird” is dark, sad, and uses film versus the Hollywood-quality high-resolution take on King’s song. 

Maxxis’ treatment for Billy Talent’s “Saint Veronika” is both intense and disturbing, centred around a book called Veronica Decides to Die in which the Slovenian protagonist attempts to kill herself and gets locked up in a mental hospital. The claustrophobic hall shots, dark colour grading, and interesting creepy take on characters with sewed-on faces take the plot to the next level. 

Video: Billy Talent via YouTube

Yassin ‘Narcy’ Alsalman is a professor, director, musician, journalist and producer. Narcy teaches one of the only hip hop courses in Canada at Concordia University and has worked with Talib Kweli, A Tribe Called Red, Anderson.Paak, Jay Electronica, and Yasiin Bey, also known as Mos Def.

Narcy performed in and directed the music video for A Tribe Called Red’s track “R.E.D” featuring Narcy and Bey off their third album, We Are the Halluci Nation. The video, shot in Sudan, is a vibrant and colourful picture with scenes in the desert and downtown. 

A powerful picture, the visual has intermittent moments discussing the Halluci Nation and slow-motion segments with Narcy and Bey joking around and having a blast. 

Video: A Tribe Called Red via YouTube

While there are many phenomenal Canadian directors to list all in one piece, these five creators stand out across all genres of music with their own trademark aesthetics.